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Fichier de données
| Compositeur | Haendel, Georg Friedrich (1685-1759) |
| Époque | Baroque |
| Type d'œuvre | Opéra / Oratorio |
Événements à venirEn voir plus...
AmsterdamVoci Bianche
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Haendel, Porpora, Mozart, Lotti, Broschi, Hasse
PRJCT Amsterdam; Maarten Engeltjes; Valer Sabadus; NN
HalleRinaldoNouvelle production

Haendel: Rinaldo
Michael Hofstetter; Walter Sutcliffe; Oper Halle; Hartmut Schörghofer; Dorota Karolczak; Händelfestspielorchester Halle; Toni Burghard Friedrich
Bad LauchstädtRinaldo (with marionettes)

Haendel: Rinaldo
Wolfgang Katschner; Eugenio Monti Colla; Compagnia Marionettistica Carlo Colla e Figli; Franco Citterio; Lautten Compagney
Critiques récentesEn voir plus...
Desafortunada propuesta de La Terza Prattica en La Valeta
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Lágrimas, locura y pasión: las emociones de la ópera barroca fueron convocadas en este espectáculo del ensemble La Terza Prattica, pero no acudieron a la cita.
Rinaldo conducts Rinaldo at the Karlsruhe Handel Festival
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With dazzling set designs and powerhouse sopranos, Karlsruhe’s Rinaldo upholds the opera's Baroque fantasy allure in a flawed yet fascinating production, conducted by Rinaldo Alessandrini.
A streamlined, dramatic Rinaldo from Pinchgut
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Although abbreviated, Pinchgut Opera's production of Handel's Rinaldo makes a powerful dramatic impact and exemplifies high musical values, with excellent orchestral playing and consistently fine singing.
Articles récents
Bachtrack top ten: George Frideric Handel
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George Frideric Handel was quite the cosmopolitan composer, travelling from Germany to Italy and London, where he eventually settled, becoming a naturalised British citizen and court composer for the big ceremonial occasions.
Bachtrack top ten: Handel operas
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From emperors and empresses to nymphs, gods and giants by way of faithful wives, sorceresses, knights, dastardly noblemen and dazzling coloratura arias, here's your guide to the master showman of Baroque opera.
Handel or Bach? The great Baroque debate
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Musicologist and passionate Handel advocate Corrina Connor and Margaret Steinitz, Artistic Director of the London Bach Society, debate the relative merits of their preferred Baroque composer.
