Notre politique de confidentialité a été mise à jour pour la dernière fois le lundi 24 juin 2019Voir iciIgnorer
Se connecter
Bachtrack logo
Accueil
Agenda
Critiques
Articles
Vidéo
Site
AgendaCritiquesArticles

Oeuvre: Violin Concerto

Rechercher des événements de musique classique, opéra et ballet
Fichier de données
CompositeurSalonen, Esa-Pekka (n. 1958)
ÉpoqueContemporain
Type d'oeuvreOrchestrale
Spectacles à venirEn voir plus...

San FranciscoOpen Rehearsal: Leila Josefowicz plays Salonen Violin Concerto

Beethoven, Salonen, Nielsen
San Francisco Symphony; Esa-Pekka Salonen; Leila Josefowicz

San FranciscoLeila Josefowicz plays Salonen Violin Concerto

Beethoven, Salonen, Nielsen
San Francisco Symphony; Esa-Pekka Salonen; Leila Josefowicz
Critiques récentesEn voir plus...

NZSO's enthralling Salonen and Schubert

Jennifer Koh © Juergen Frank
Edo de Waart and the NZSO thrill with the old warhorse that is Schubert's ninth as much as in an insightful and exciting rendition of Salonen's Violin Concerto.

Sublime Salonen in Seattle

The fascination of Esa-Pekka Salonen's Violin Concerto, featuring soloist Jennifer Koh, dominates this week's widely mixed programme led by Ludovic Morlot.

Sibelius, Salonen and Shostakovich by the BBCSO

Esa-Pekka Salonen’s Violin Concerto "Out of Nowhere" received its long overdue UK première by the BBC Symphony Orchestra and Leila Josefowicz. Flanked by Sibelius’ Pohjola’s Daughter and Shostakovich’s Symphony no. 5, this was an exciting programme played brilliantly under Sakari Oramo.

New York Philharmonic startles and soars in Salonen and Sibelius

My big night out this week was spent at the New York Philharmonic’s Tuesday evening concert, surely the case for most other 23-year-olds. (I kid, and yet over the past couple of years I have noticed a decided increase in young faces at Avery Fisher Hall.) I had intended to sit anonymously in the audience and get swept into the music like a leaf in the autumn wind.

Esa-Pekka Salonen with the Philadelphia Orchestra

When a guest conductor arrives for a few concerts with an orchestra, he or she doesn’t have very much time to shape his or her interpretation. On some occasions the orchestra successfully adopts the visitor’s style; on others they just play like they always do.