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Instrument: Boy soprano

Find classical music concert, opera, ballet and dance listings
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LondonBoris Godunov

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Mussorgsky: Boris Godunov
Mark Wigglesworth; Richard Jones; The Royal Opera; Miriam Buether; Nicky Gillibrand; Mimi Jordan Sherin; Orchestra of the Royal Opera House Covent Garden

GrazWozzeckNew production

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Berg: Wozzeck
Vassilis Christopoulos; Evgeny Titov; Oper Graz; Gideon Davey; Klaus Bruns; Sebastian Alphons; Grazer Philharmoniker

NancyI Didn’t Know Where To Put All My Tears / Curlew RiverNew production

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Nikodijević, Britten
Alphonse Cemin; Silvia Costa; Opéra national de Lorraine; Michele Taborelli; Camille Assaf; Marco Giusti; Orchestre de l'Opéra national de Lorraine
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Terfel’s craggy Boris Godunov returns to Covent Garden

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The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight. 
****1
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A magnificent Tosca from Welsh National Opera at the Mayflower

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WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw. 

*****
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Deborah Warner directs a memorable Turn of the Screw in Rome

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Following her Billy Budd and Peter Grimes, Deborah Warner directs a third Britten opera at the Teatro Costanzi. 
****1
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Tosca from The Royal Opera: Netrebko returns, with a vengeance

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Oliver Mears' new staging impresses and Jakub Hrůša's first season as Music Director excites interest. But the evening belongs to Anna Netrebko.
****1
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Oh To Believe in Another World: Shostakovich and Stalin on film

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William Kentridge's film, a patchwork collage depicting Shostakovich's complicated relationship with Stalin, is played as film score to his Tenth Symphony at the Southbank's genre-crossing Multitudes festival. 
***11
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Bly or Bedlam? ENO’s new The Turn of the Screw

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Isabella Bywater directs an evocative new production of Britten’s ghost opera, well performed at the Coliseum. 
****1
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Blanchard’s problematic Fire Shut Up in My Bones returns to the Met

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An exceptionally strong cast, led by Ryan Speedo Green, fails to disguise Blanchard's bland score and the opera's weak libretto.

***11
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