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Instrument: Boy soprano

Find classical music concert, opera, ballet and dance listings
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BudapestHungarian Christmas

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Various: Hungarian Christmas
Nikolett Hajzer; Hungarian State Opera; Katalin Juhász; Hungarian State Opera Orchestra; Hungarian State Opera Children's Chorus; András Palerdi

WeimarPenthesilea / Der zerbrochene KrugNew production

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Schoeck, Ullmann
Daniel Carter; Valentin Schwarz; Deutsches Nationaltheater Weimar; Andrea Cozzi; Andy Besuch; Staatskapelle Weimar; Opernchor des DNT

OsloThe Turn of the ScrewNew production

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Britten: The Turn of the Screw
Antonio Méndez; Peer Perez Øian; Norwegian National Opera; Étienne Pluss; Bianca Deigner; Martin Flack; Norwegian National Opera Orchestra
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A magnificent Tosca from Welsh National Opera at the Mayflower

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WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw. 

*****
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Deborah Warner directs a memorable Turn of the Screw in Rome

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Following her Billy Budd and Peter Grimes, Deborah Warner directs a third Britten opera at the Teatro Costanzi. 
****1
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Tosca from The Royal Opera: Netrebko returns, with a vengeance

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Oliver Mears' new staging impresses and Jakub Hrůša's first season as Music Director excites interest. But the evening belongs to Anna Netrebko.
****1
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Oh To Believe in Another World: Shostakovich and Stalin on film

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William Kentridge's film, a patchwork collage depicting Shostakovich's complicated relationship with Stalin, is played as film score to his Tenth Symphony at the Southbank's genre-crossing Multitudes festival. 
***11
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Bly or Bedlam? ENO’s new The Turn of the Screw

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Isabella Bywater directs an evocative new production of Britten’s ghost opera, well performed at the Coliseum. 
****1
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Blanchard’s problematic Fire Shut Up in My Bones returns to the Met

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An exceptionally strong cast, led by Ryan Speedo Green, fails to disguise Blanchard's bland score and the opera's weak libretto.

***11
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Funereal Fauré and Gounod from Equilbey, accentus and Insula

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Gorgeous French music, polished choral singing and excellent soloists are marred by an overwhelmingly dark timbre and unsympathetic video.
***11
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