Instrument: Dancer

José Martínez has envisioned a Don Quichotte that recalls the original 19th century choreography while also acknowledging some of the notable 20th century versions and it's splendid looking.

Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.

National Ballet of Japan in Kenneth MacMillan’s Manon has been revived six years after its performances were cancelled because of the pandemic. Exceptionally good interpretations led the opening night performance.

A tremendous triple bill comprising Jiří Kylián's 27’52” and two new works by Robert Bondara and Marco Goecke. The programme unfolds as a meditation on transience, instability and the unpredictability of human life.

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

Warner once again displays her unquestionable talent onstage and her affinity with Benjamin Britten, although, on this occasion, the musical aspect are not equally satisfactory.