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Instrument: Mandolin

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New York CityStelios Petrakis Cretan Quartet

© Thomas Dorn
Stelios Petrakis Cretan Quartet; Stelios Petrakis; Thanassis Mavrokostas; Andonis Stavrakakis

New York CityChris Thile

© Josh Goleman
Bach, Thile
Chris Thile, Mandolin

OsloAvi Avital

Winter-Hjelm, Vivaldi, Dorman, Tchaikovsky
The Norwegian Radio Orchestra; Miguel Harth-Bedoya; Avi Avital

VallettaBaroque Goes Folk – Avi Avital/Bach in Eastern Europe

Vivaldi, Bach, Zinzadse, Bartók
Cappella Gabetta; Andrés Gabetta; Avi Avital

Hong KongThe Colour of Sound

Strauss R., Bruce, Tsintsadze, Dvořák
Paul Huang; Joel Link; Yura Lee; Milena Pajaro-van de Stadt

Hong KongOutside Elements

Turnage, Bartók, Tsontakis, Korngold
Martin Beaver; Cho-Liang Lin; Lise Berthaud; David Shifrin

Hong KongForward Movement

Vivaldi, Dvořák, Spohr, Elgar
Paul Huang; Tianwa Yang; Andrew Ling; Cho-Liang Lin
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Rivals: Max Emanuel Cenčić in Halle

Max Emanuel Cenčić © Anna Hoffmann
Max Emanuel Cenčić with Armonia Atenea under George Petrou provide an exciting and satisfying concert at the Halle Handel Festival
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A vibrant Mediterranean tableau from the BBCSO

Daniele Rustioni © Davide Cerati
The BBC Symphony Orchestra was on tip-top form, with the buoyant Daniele Rustioni and mandolin virtuoso Avi Avital conjuring up a fresco of genuine Mediterranean delights.
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Vivaldi with abandon: Atlanta Symphony hosts Avi Avital

Avi Avital © Harald Hoffmann
Guest Laura Jackson leads the Atlanta Symphony in three light pieces and a masterwork, with soloist Avi Avital.
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Between worlds: sensational Avi Avital

Avi Avital © Harald Hoffmann
To see three passionate ambassadors of their instruments performing together made a sensationally satisfying evening at St Georges, Bristol.
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Musical shifts and spontaneity: Avi Avital in Zurich

Avi Avital © Harald Hoffmann
Giovanni Antonini conducts the Tonhalle Orchestra in an appealing programme of works by Beethoven, Bach and Vivaldi that marked the Zurich debut of the dynamic Israeli mandolinist Avi Avital.
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Peruvian sunshine struggles to beat the clouds

Juan Diego Flórez at the RAH © Jonathan Rose
Flórez's recital showed exactly why singers should steer clear of technological assistance. 
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Sublimely ridiculous: Grétry’s L’Amant jaloux

Another ancient hit revived and delivered with panache by Sydney-based Pinchgut Opera: Gretry's L'Amant jaloux (1778) proved it still could raise laughs, aided by a superb cast. 
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