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Instrument: Oud

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LondonProms at … Cadogan Hall 3: Ancient Rituals and New Tales

Joseph Tawadros, Oud

BarcelonaFrom Ashur to Seville

From Ashur to Seville
Naseer Shamma; Beit Al Oud Orchestra

VallettaPath of Love – Masa ar Hubb

Paul Gulda; Marwan Abado

WarehamMahler, Messiaen, Elias, Akpabot, Mozart

Mahler, Messiaen, Elias, Akpabot, Mozart
Andrej Žust; Marianna Shirinyan; Alena Baeva; Natalie Clein; Gareth Lubbe

BournemouthSchubert, Simpson, Mahler

Schubert, Simpson, Mahler
Andrej Žust; Alena Baeva; Natalia Lomeiko; Yaroslava Trofymchuk; Natalie Clein

WarehamLéandre, Beethoven

Alena Baeva; Natalia Lomeiko; Gareth Lubbe; Natalie Clein
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Melodies of Istanbul present a rich blend at Istanbul Music Festival

Hakan Güngör © Courtesy of Istanbul Music Festival
The complexities of Istanbul's rich culture and history, explored in a heady mixture of music from Bach to Afganistan, played by the Melodies of Istanbul Orchestra, directed by Hakan Güngör. 
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A magical trip to Istanbul

© David Karlin
Jordi Savall and Dimitri Psonis display virtuosity and thoughtfulness in bringing us music from the glory days of the Ottoman Empire.
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Las Rutas de los Esclavos: a spell-binding journey

© Wilfredo Amaya
Sounds of Mali, Brazil, Spain, Mexico and Madagascar blended to perfection with Colombia to create a masterpiece. 
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Hespèrion XXI explore war and peace in Baroque Europe

Jordi Savall © David Ignaszewski
Jordi Savall directs a multi-lingual, multi-cultural voyage through Europe's war-torn past.
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Jordi Savall and Hespèrion XXI explore Balkan music at Cleveland Museum of Art

Jordi Savall  ©  R David Ignaszewski
After a long career performing and recording most of the canon of western European early music, in recent years Jordi Savall has turned his attentions to the relationships of music in the Middle East, northern Africa, Spain and the Balkan countries.
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Hespèrion XXI: conversatorio y reconciliación

Jordi Savall
Al socaire de lo presenciado en la Sala de Cámara, tres danzas afganas, cantos tradicionales sirios, el Rotundellus de las Cantigas de Alfonso X ‘El Sabio’ o los fragmentos amorosos de Majnún y Layla, el ánimo, ciertamente, queda sereno, reconciliado, más pronto a la escucha (a la lectura) que al discurso.
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Le Dessous des cartes du Marco Polo arabe – Jordi Savall et Hespèrion XXI sur les traces d’Ibn Battûta

Le Festival d’Ambronay à l’Auditorium de Lyon montre par les chemins de la musique la réalité saisissante des migrations, celles du XIVe siècle comme celles d’aujourd’hui, en compagnie de Jordi Savall et l’ensemble Hespèrion XXI.
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