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TokyoBrahms & Dvořák
Brahms, Dvořák
Tokyo Philharmonic Orchestra; Ken-Ichiro Kobayashi; Minako Nagai
AmsterdamScherpdenkers: Sheila Sitalsing and Berlage Saxophone Quartet (Dutch spoken)
Eisler, Cage, van Klaveren
Unknown; Berlage Saxofoonkwartet
BerlinPeter and the Wolf
Prokofiev: Peter and the Wolf, Op.67
Orchester der Komischen Oper Berlin; Geoffrey Loff; Nico Holonics; Viktoria Kosorukova; Hussein Al Shatheli
DresdenPhil to explore ...with the romantic clarinet
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Weber: Clarinet concerto no. 1 in F minor, Op.73
Dresden Philharmonic; Riccardo Minasi; Martin Fröst; Malte Arkona; Unknown
PragueOpen air Concert in Vyšehrad
Dvořák: Symphony no. 9 in E minor, "From the New World", Op.95
Prague Symphony Orchestra; Tomáš Netopil; Ondřej Havelka
DresdenSummer, sun, vacation time
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Gunter Berger; Unknown; Members of the Dresden Philharmonic; Dresden Philharmonic Children's Choir
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Chilly brilliance from Salonen at the Salzburg Festival
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The Vienna Philharmonic's first concert at this year's Salzburg Festival pairs Oedipus Rex with the Symphonie fantastique, with Esa-Pekka Salonen stepping in for Lorenzo Viotti.
Zubin Mehta finds fountain of youth in LA Phil’s Gurre-Lieder
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A memorable, impassioned performance of Arnold Schoenberg’s Gurre-Lieder in Disney Hall.
London Sinfonietta gives eloquent testimony to Schoenberg's greatness
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At the Southbank Centre vivid performance of seminal works shows how Schoenberg added colours to the Chameleon and enriched our sound world.
Time’s up: Penderecki and Messiaen at the Southbank Centre
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A thrilling performance of Messiaen's Quartet for the End of Time by members of the London Sinfonietta follows two rarely heard chamber works by Krzysztof Penderecki.
Profoundly moving Shostakovich cycle marks the Brodsky's 50th
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The Brodsky Quartet deliver deeply moving performances of all 15 Shostakovich string quartets, with added value and insight from writers Elizabeth Wilson and Marina Frolova-Walker.
Of Ice and Men: Intolleranza 1960 at the Komische Oper
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Marking the beginning of a new artistic direction, the Komische Oper's new production of Nono's Intolleranza 1960 proves a success, with director Marco Štorman's deep rethinking of the theatre stage.
Bluebeard as psychothriller in Castellucci's mismatched double bill
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Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler.