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AmsterdamScherpdenkers: Dirk de Wachter & Het Collectief (Dutch spoken)

Messiaen: Quatuor pour la fin du temps (Quartet for the End of Time)
Dirk de Wachter; Het Collectief
LondonBach, the Universe & Everything - Here Comes the Sun
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Bach: Ach Gott, wie manches Herzeleid - Cantata, BWV3
Orchestra of the Age of Enlightenment; Choir of the Age of Enlightenment; Lucie Green
TokyoEliahu Inbal conducts Shostakovich & Bernstein

Shostakovich, Bernstein
Tokyo Metropolitan Symphony Orchestra; Eliahu Inbal; Judith Pisar; Leah Pisar; Akiko Tomihira; New National Theatre Chorus
LondonAntonio Oyarzabal / Natasha Loges

Mana-Zucca, Bonis, Chaminade, Boulanger, Tailleferre, Kaprálová
Antonio Oyarzabal; Natasha Loges
LondonBach, the Universe and Everything: To Infinity and Beyond
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Bach: Bringet dem Herrn Ehre seines Namens - Cantata, BWV148
Orchestra of the Age of Enlightenment; Choir of the Age of Enlightenment; Dr Stuart Clark
AmsterdamScherpdenkers: Vincent Bijlo & Berlage Saxophone Quartet (Dutch spoken)

Bach, Debussy, Schulhoff, Nas
Vincent Bijlo; Berlage Saxofoonkwartet
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Time’s up: Penderecki and Messiaen at the Southbank Centre
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A thrilling performance of Messiaen's Quartet for the End of Time by members of the London Sinfonietta follows two rarely heard chamber works by Krzysztof Penderecki.
Profoundly moving Shostakovich cycle marks the Brodsky's 50th
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The Brodsky Quartet deliver deeply moving performances of all 15 Shostakovich string quartets, with added value and insight from writers Elizabeth Wilson and Marina Frolova-Walker.
Of Ice and Men: Intolleranza 1960 at the Komische Oper
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Marking the beginning of a new artistic direction, the Komische Oper's new production of Nono's Intolleranza 1960 proves a success, with director Marco Štorman's deep rethinking of the theatre stage.
Bluebeard as psychothriller in Castellucci's mismatched double bill
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Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler.
Petrenko and Berlin Philharmonic get to the heart of Weill
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Kirill Petrenko launches the Berlin Philharmonic's “Golden Twenties” series with Kurt Weill's First Symphony and Stravinsky's Oedipus Rex.
Black legacies explored by Chineke! at the Royal Festival Hall
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Chineke! Orchestra returns to the Royal Festival Hall with a programme that explores the legacy of black composers, as well as marking Beethoven's 250th anniversary.
Debussy rarities at the Berlin Festtage
Two rarely performed works are showcased by the Staatskapelle under Daniel Barenboim.