Instrument: Viol

Handel's La Resurrezione, anchored the Boston Early Music Festival’s Thursday programs in a dramatic reading by many of the same forces performing Campra’s La Carnaval de Venise.

Richard Boothby gave a simple and informative evening’s concert of Telemann’s 12 fantasias at St Georges, Bristol.

Fantasias for viol trio performed by members of Phantasm illustrate the inventiveness of England's best composers from the sixteenth and seventeenth centuries.

Bach’s final work The Art of Fugue, left incomplete at his death in 1750, has long been famous for (among other things) not having specified its instrumentation. It’s written in open score – each line of music, or “voice”, is given a distinct printed line, making it hard to guess what instrument Bach actually had in mind to play it.

Acompañado de Rolf Lislevand -tiorba y guitarra-, Michael Behringer -clave y órgano- y Philippe Pierlot -viola da gamba baja de 7 cuerdas-, Jordi Savall ha rendido homenaje a una película que, en 1991, sirvió para mucho como pasarela de acceso a las figuras y la música de Monsieur de Sainte-Colombe, Marin Marais o el propio Savall.