Find classical music concert, opera, ballet and dance listings
Upcoming eventsSee more...
ViennaSir András Schiff & Freund:innen »Schubertiade«
Schubert
Sir András Schiff; Erich Höbarth; Anita Mitterer; Christophe Coin
ViennaHöbarth / Coin / Schiff »Schubertiade«
Schubert
Erich Höbarth; Christophe Coin; Sir András Schiff; Andre Stein
ViennaQuatuor Mosaïques
Beethoven, Haydn, Brahms
Quatuor Mosaïques; Erich Höbarth; Andrea Bischof; Anita Mitterer
BerlinThe Art of Being HumanWorld premiere
Various: The Art of Being Human
Sommer Ulrickson; Laurence Dreyfus; Andrea Schmidt-Futterer; Ulrike Plehn; Phantasm Viol Consort
ViennaQuatuor Mosaïques / Kenner
Jadin, Chopin, Schumann
Quatuor Mosaïques; Erich Höbarth; Andrea Bischof; Anita Mitterer
Latest reviewsSee more...
Plagues, passions and lamentation at the Ravenna Festival
Vittorio Ghielmi and his ll Suonar Parlante ensemble present a resonantly melancholy and reflective programme of music mourning loss as live performance returns to Italy.
Almira's Songbook: Handel meets the world of Spanish music
A mix of arias from Handel's first opera with music from Renaissance and Baroque Spain with an accomplished group of performers provides a rich and satisfying experience.
Handel’s La Resurrezione brought blazingly to life
Handel's La Resurrezione, anchored the Boston Early Music Festival’s Thursday programs in a dramatic reading by many of the same forces performing Campra’s La Carnaval de Venise.
Telemann insights from Boothby in Bristol
Richard Boothby gave a simple and informative evening’s concert of Telemann’s 12 fantasias at St Georges, Bristol.
Phantasm viol consort: Perilous polyphony
Fantasias for viol trio performed by members of Phantasm illustrate the inventiveness of England's best composers from the sixteenth and seventeenth centuries.
Bach stays wrapped up: The Art of Fugue with Fretwork
Bach’s final work The Art of Fugue, left incomplete at his death in 1750, has long been famous for (among other things) not having specified its instrumentation. It’s written in open score – each line of music, or “voice”, is given a distinct printed line, making it hard to guess what instrument Bach actually had in mind to play it.
À Royaumont, les tourments de la passion laissent Bach de marbre
Organisée par le programme claviers de la Fondation Royaumont, une Nuit en deux temps a consacré l'art du clavecin de l'excellent Philippe Grisvard avant que Le Petit Trianon ne déçoive dans L’Offrande musicale.
Performers