Glenn Gould’s curse and collaborating with Anne Teresa de Keersmaeker

Pavel Kolesnikov

Anne Teresa De Keersmaeker and Pavel Kolesnikov

Pavel Kolesnikov and Anne Teresa De Keersmaeker in The Goldberg Variations

Pavel Kolesnikov

By Chantal Nguyen, 02 September 2022

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“it’s like 3D chamber music because you’re dealing with something extra-musical!”

Bachtrack, 1st April

Renowned harpsichordist Jean Rondeau presents a new view of Bach’s Goldberg Variations at this year’s Bachfest Schaffhausen, including in arrangement for Baroque ensemble, and as a new composition for piano, percussion and electronics inspired by the cycle.

Breaking barriers, building repertoire: 25 years of Ballet Black

Deborah Weiss, 2nd March

We sit down with Ballet Black’s artistic director Cassa Pancho and dancers Isabela Coracy and Ebony Thomas, to discover the challenges and achievements of the company’s first 25 years.

Former ENB Artistic Director Matz Skoog has died aged 69

Bachtrack, 9th February

The Swedish-born ballet star shaped generations of dancers and left a lasting imprint on British and international ballet.

Ukrainian ballerina Katja Khaniukova honoured

Bachtrack, 22nd January

The Order of Princess Olha was bestowed on her on Ukraine's Day of Unity by the President of Ukraine, Volodymyr Zelenskyy.

The music in mathematics: a conversation with Bertrand Maury

Laura Servidei, 22nd January

At the intersection of mathematics and music, the Festum Pi festival brings together theorists and performers to explore one of humanity’s oldest intellectual duets. We spoke with participant Professor Bertrand Maury, acclaimed mathematician and a concert pianist, about this enduring connection.

The magical world of composers’ handwriting

Lawrence Dunn, 17th December

From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.

Chantal Nguyen

Chantal has a background in ballet and contemporary dance, and was the first Australian to complete the International Baccalaureate Diploma Programme in Higher Level Dance. She has completed violin studies, and plays regularly in Sydney ensembles. She also dabbles in folk songs and subversive musical parody.

Pavel Kolesnikov: Glenn Gould’s curse and collaborating with Anne Teresa de Keersmaeker