Glenn Gould’s curse and collaborating with Anne Teresa de Keersmaeker

Pavel Kolesnikov

Anne Teresa De Keersmaeker and Pavel Kolesnikov

Pavel Kolesnikov and Anne Teresa De Keersmaeker in The Goldberg Variations

Pavel Kolesnikov

By Chantal Nguyen, 02 September 2022

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“it’s like 3D chamber music because you’re dealing with something extra-musical!”

Bachtrack, 27th May

GradPro was set up in 2021 to help new graduates leaving vocational schools without jobs to find placements.

Before the war came: why The Green Table is urgent today

Bachtrack, 20th May

Birmingham Royal Ballet’s Jonathan Payn talks about The Green Table by Kurt Jooss, first performed in Paris in 1932 – and how choreography can respond to political collapse and the threat of war.

Rambert School, Juilliard School, McGregor: triple threat!

Deborah Weiss, 29th April

Amanda Britton, Artistic Director of Rambert School, talks about an exchange and collaboration between the Rambert School and Juilliard to create a new work by Wayne McGregor, a unique project.

Bach transformed: Jean Rondeau on remaking the Goldberg Variations

Bachtrack, 1st April

Renowned harpsichordist Jean Rondeau presents a new view of Bach’s Goldberg Variations at this year’s Bachfest Schaffhausen, including in arrangement for Baroque ensemble, and as a new composition for piano, percussion and electronics inspired by the cycle.

Breaking barriers, building repertoire: 25 years of Ballet Black

Deborah Weiss, 2nd March

We sit down with Ballet Black’s artistic director Cassa Pancho and dancers Isabela Coracy and Ebony Thomas, to discover the challenges and achievements of the company’s first 25 years.

Former ENB Artistic Director Matz Skoog has died aged 69

Bachtrack, 9th February

The Swedish-born ballet star shaped generations of dancers and left a lasting imprint on British and international ballet.

Chantal Nguyen

Chantal has a background in ballet and contemporary dance, and was the first Australian to complete the International Baccalaureate Diploma Programme in Higher Level Dance. She has completed violin studies, and plays regularly in Sydney ensembles. She also dabbles in folk songs and subversive musical parody.

Pavel Kolesnikov: Glenn Gould’s curse and collaborating with Anne Teresa de Keersmaeker