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Performer: Anne Teresa De Keersmaeker

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GhentBartók / Beethoven / Schönberg

Opera Ballet Vlaanderen
Bartók, Beethoven, Schoenberg
Anne Teresa De Keersmaeker; Opera Ballet Vlaanderen; Herman Sorgeloos; Rosas; Jean Luc Ducourt

AntwerpBartók / Beethoven / Schönberg

Opera Ballet Vlaanderen
Bartók, Beethoven, Schoenberg
Anne Teresa De Keersmaeker; Opera Ballet Vlaanderen; Herman Sorgeloos; Rosas; Jean Luc Ducourt

St PöltenBartók / Beethoven / Schönberg

Opera Ballet Vlaanderen
Bartók, Beethoven, Schoenberg
Anne Teresa De Keersmaeker; Opera Ballet Vlaanderen; Herman Sorgeloos; Rosas; Jean Luc Ducourt

BrusselsGla55

© Peitgen Richter
Glass: GLA55
Anne Teresa De Keersmaeker; Aouatif Boulaich; Minna Tiikkainen; Wannes Gyselinck; Alexandre Fostier

BrugesGLA55

© No credit
Glass: GLA55
Anne Teresa De Keersmaeker; Aouatif Boulaich; Minna Tiikkainen; Wannes Gyselinck; Alexandre Fostier

LyonPanorama

Listing filler
Schoenberg, Berio
Stephen Galloway; Marco Goecke; William Forsythe; Imre van Opstal; Marne van Opstal; Ballet de l'Opéra de Lyon; Georges-Elie Octors; Orchestre de l'Opéra de Lyon; Rudy Sabounghi; Luc Schaltin
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Opera Ballet Vlaanderen: intrigue and mystery draws in the audience

Lateef Williams and Maria Franz in Anne Teresa De Keersmaeker’s Mitten wir im Leben sind © Phile Deprez
A very well balanced triple bill comprising two revivals and a world premiere gave ample opportunity for the dancers of Opera Ballet Vlaanderen to show off their versatility in Antwerp.
****1
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Anne Teresa De Keersmaeker's Exit Above: just walking the blues away

Rosas in Anne Teresa De Keersmaeker's Exit Above © Anne Van Aerschot
The impressive music, especially in the live singing of Mees, is well worth the sometimes bewildering array of simultaneous activity, the confusions of intent and the occasional periods of inactivity.
***11
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Transcendental Goldbergs from De Keersmaeker and Kolesnikov

Pavel Kolesnikov and Anne Teresa De Keersmaeker © Anne Van Aerschot
De Keersmaeker’s career-long exploration of the interrelationship between music and movement continues at Sadler's Wells with pianist Pavel Kolesnikov.
****1
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De Keersmaeker’s Fase without De Keersmaeker

The successful return of De Keersmaeker's early minimalist masterpiece, Fase, Four Movements to the Music of Steve Reich in the Linbury Theatre.
****1
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Fase opens the discussions on dance heritage in Berlin

Anne Teresa de Keersmaeker’s epically physical dance Fase, Four Movements to the Music of Steve Reich, opened the month-long event series What the Body Remembers.
*****
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A translation of Bach's music into movement

Bach6Cellosuiten: De Keersmaeker and Jean-Guihen Queyras join forces for UK premiere at Sadler’s Wells.
****1
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ParisThe Six Brandenburg Concertos

© Anne Van Aerschot
Bach: The six Brandenburg Concertos
Anne Teresa De Keersmaeker; Rosas; Amandine Beyer; Jan Versweyveld; B'Rock Orchestra

ParisCosì fan tutte

© Agathe Poupeney | OnP
Mozart: Così fan tutte
Philippe Jordan; Anne Teresa De Keersmaeker; Opéra national de Paris; Jan Versweyveld; An D'Huys; Orchestre de l'Opéra national de Paris

ParisQuatuor n°4, Die grosse Fuge, Verklärte Nacht

© Agathe Poupeney | OnP
Bartók, Beethoven, Schoenberg
Anne Teresa De Keersmaeker; Ballet de l'Opéra de Paris; Danseurs et danseuses étoiles du Ballet de l'Opéra national de Paris; Vello Pähn; Jean Luc Ducourt; Rosas
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Glenn Gould’s curse and collaborating with Anne Teresa de Keersmaeker

Pavel Kolesnikov © Eva Vermandel
Pavel Kolesnikov never intended to play Bach's Goldberg Variations – such is the shadow cast by Glenn Gould – but then choreographer Anne Teresa De Keersmaeker proposed something unusual.