Symphonie der Klagelieder mitreißend bei den Münchner Philharmonikern

Krzysztof Urbański

Jan Lisiecki

Michał Sławecki

Edyta Krzemień

Anna Federowicz

By Michael Vieth, 01 May 2025

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“ein faszinierend soghafter Klang der Philharmoniker [unter Krzysztof Urbański]”

Reviewed at Isarphilharmonie, Munich on 30 April 2025

Kilar, Krzesany

Chopin, Fantasia in A major on Polish Airs, Op.13

Chopin, Rondo à la Krakoviak in F major for piano and orchestra, Op.14

Górecki, Symphony no. 3 “Symphony of Sorrowful Songs”, Op.36

Jan Lisiecki, Piano

Edyta Krzemień, Soprano

Anna Federowicz, Soprano

Michał Sławecki, Countertenor

Munich Philharmonic Orchestra

Krzysztof Urbański, Conductor

At home in Hamburg: Munich Philharmonic at the Elbphilharmonie

Mengguang Huang, 6th February

Lahav Shani offers fresh perspectives on Debussy, Mozart and Schoenberg, favouring structural clarity and youthful energy over traditional late-Romantic weight and atmospheric suggestion.

***11

Zubin Mehta brings the Munich Philharmonic to Carnegie Hall for Brahms

Edward Sava-Segal, 3rd February

Yefim Bronfman reunites with his old collaborator for Brahms' First Piano Concerto, reinforcing the qualities that exemplify him as a great chamber music player.

****1

A proficient but flawed opening at Dvořák’s Prague

Frank Kuznik, 8th September

Myung-whun Chung and Pablo Ferrández shine separately, but never quite get on the same page.

***11

Child's play: Crumb and Strauss make unconventional bedfellows

Matthew Rye, 12th November

Zubin Mehta brought together works by George Crumb and Richard Strauss in his latest concert as the Munich Philharmonic's honorary conductor.

****1

Grand Romantic statements from Gergiev at the Enescu Festival

Edward Sava-Segal, 6th September

Two giants of the Romantic repertoire that were met with disdain by Eduard Hanslick at their premieres are given persuasive readings in Bucharest.

****1

Technicolor Shostakovich and Brahms from the Munich Philharmonic

Laurence Vittes, 3rd September

A full frontal assault by Valery Gergiev on Brahms' First Symphony and Shostakovich's First Cello Concerto in explosive performances.

****1

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Michael Vieth

Michael Vieth ist Physiker und hat viele Jahre in der Zentralen Forschung der Siemens AG in Erlangen und München an magnetischen Speichern und Sensoren gearbeitet. Auch von klassischer Musik magnetisiert, singt er seit seinem Studium in Göttingen in großen Kantoreien und Chorprojekten; eine besondere Vorliebe hat sich zu Motetten der Renaissance und der Moderne entwickelt. Daneben faszinieren ihn Auftritte und Programme kleiner Vokal-Ensembles.

Drängender Ruf nach Frieden: Symphonie der Klagelieder bei den Münchner Philharmonikern