Salonen and the Orchestre de Paris opened the Elbphilharmonie season with a vivid journey from Strauss’s dramatic energy, through a reflective new Horn Concerto, to Sibelius’s luminous, precise grandeur.
In Yunchan Lim’s hands the score to Rachmaninov's Fourth Piano Concerto emerges as a small revelation, conspicuously succeeding where so many others have floundered.
Rachmaninov's Second Piano Concerto turns out to be a shipwreck for the Georgian pianist, despite an admirable Orchestre de Paris and conductor (Kirill Karabits).
Klaus Mäkelä presents fresh and dynamic takes on French masterpieces from Debussy and Berlioz, the Orchestre de Paris providing colour and vigour in Stravinsky.
Christine studied musicology and dance science in Salzburg and Newcastle. After her Bachelor degree she is now proceeding her studies in musicology and the piano as minor subject at the Folkwang Universität in Essen.
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