Nervengift statt Liebestrank: Tristan und Isolde in Frankfurt

By Alexandra Richter, 27 January 2020

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“diese Liebe findet im Diesseits keine Erfüllung”

Reviewed at Oper Frankfurt, Frankfurt am Main on 25 January 2020

Wagner, Tristan und Isolde

Oper Frankfurt

Sebastian Weigle, Conductor

Katharina Thoma, Director

Johannes Leiacker, Set Designer

Irina Bartels, Costume Designer

Rachel Nicholls, Isolde

Vincent Wolfsteiner, Tristan

Andreas Bauer Kanabas, King Marke

Christoph Pohl, Kurwenal

Iain MacNeil, Melot

Claudia Mahnke, Brangäne

Michael Petruccelli, Shepherd

Liviu Holender, Helmsman

Michael Porter, Young seaman

Olaf Winter, Lighting Designer

Mareike Wink, Dramaturgy

Tilman Michael, Choirmaster / chorus director

Frankfurt Opera Chorus

Opera Frankfurt Orchestra

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Kevin W Ng, 20th November

Carl Nielsen's Maskarade makes a welcome rare appearance, with a great time had by everyone onstage and off.

***11

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Mark Pullinger, 26th March

This is no Liederabend with singers taking their turn to file up to the piano. It’s a fully staged drama in which baritone Vladislav Sulimsky’s character reflects on his past loves and losses.

*****

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Oper Frankfurt's revival of Richard Jones's production of Billy Budd with a homegrown cast is a devastating combination of powerful music and searing drama.

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John Johnston, 24th January

Camilla Nylund’s rich, ample voice bloomed in the glorious setting of the sonnet, cosseted by burnished horn playing, in Strauss' unsurpassed operatic farewell to the soprano voice.

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Iain Paterson's Dutchman drops anchor in Frankfurt

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Iain Paterson's house debut as the Holländer was sufficient reason to drop anchor in the Main for this revival of David Bösch's 2015 production.

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A dark and stunning new Rigoletto

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Alexandra Richter

Alexandra hat Medienwissenschaften studiert und arbeitet als Filmproduzentin in Frankfurt. Tagsüber sind die Kunstausstellungen und Museen ganz Europas ihr zu Hause. Die Abende verbringt sie gern in der Oper und im Konzertsaal. Hier liegen ihre Schwerpunkte bei Romantischen Komponist*innen, wie Schubert und Wagner. Aber auch zeitgenössische und moderne Musik finden immer wieder Beachtung.

Nervengift statt Liebestrank: Tristan und Isolde an der Oper Frankfurt