Recital inolvidable de Anna Vinnitskaya en el Círculo de Bellas Artes

By Jorge Baeza Stanicic, 01 April 2026

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“cargando la interpretación de una profundidad expresiva claramente perceptible”

Reviewed at Círculo de Bellas Artes: Teatro Fernando de Rojas, Madrid on 29 March 2026

Ravel, Sonatine in F sharp major

Ravel, Pavane pour une infante défunte

Ravel, Jeux d'eau

Scriabin, Piano Sonata no. 3 in F sharp minor, Op.23

Brahms, 3 Intermezzi for piano, Op.117

Rachmaninov, Variations on a theme of Corelli in D minor for piano, Op.42

Anna Vinnitskaya, Piano

Orchestre de Paris and Mäkelä wow Amsterdam’s Concertgebouw

Max Lima, 18th March

Under its Music Director Klaus Mäkelä, the French orchestra returns to the Concertgebouw for an exhilarating concert with pianist Anna Vinnitskaya.

****1

Explosive performances from Vladimir Jurowski and the LPO

Chris Garlick, 21st January

Jurowski took a full-on approach in the first movement, grinding through the discords without shame and only pulling back in those rare moments in the score where everyone is catching their breath.

****1

Two Sergeis with Vinnitskaya and Valčuha at the Elbphilharmonie

Alexander Hall, 14th September

Rachmaninov and Prokofiev not only shared a first name. In their individual ways they helped define Russianness too. Anna Vinnitskaya, Juraj Valčuha and the NDR Elbphilharmonie Orchester are here the exponents.

***11

A rocky chamber music reunion at the Prague Spring Festival

Frank Kuznik, 22nd May

It's been nearly two years since Daniel Müller-Schott, Emmanuel Tjeknavorian and Anna Vinnitskaya last played together, and it sounded like it in an uneven programme of Debussy, Tchaikovsky and Brahms.

***11

Russian troika bogged down in the quest for authenticity in Bruges

Marc Haegeman, 29th November

In an all-Russian programme, Jos van Immerseel and Anima Eterna Brugge show the nuts and bolts, but forget the music.

**111

Iván Fischer jumps in to deliver thrills with the Berlin Phil

Hugo Shirley, 26th September

The Hungarian conductor is a late replacement for a satisfying mixed programme in which pianist Anna Vinnitskaya makes a blistering debut.

****1

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Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.

Anna Vinnitskaya entra en los ciclos madrileños por la puerta grande con un recital inolvidable