As Sir Mark Elder prepares to conduct La Damnation de Faust, he reflects on the nature of the work and what it is that makes Berlioz sound like Berlioz.
Le baryton-basse incarne un parfait Méphistophélès au sein d'une distribution de luxe. Kazuki Yamada dirige un Orchestre Philharmonique de Monte-Carlo très équilibré.
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