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Performer: Erwin Schrott

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GstaadTosca – Gstaad Festival Orchestra IVSemi-staged performance

Menuhin Festival Gstaad
Puccini: Tosca
Domingo Hindoyan; Gstaad Festival Orchestra; Choir of Konzert Theater Bern; Sonya Yoncheva; Riccardo Massi

HamburgTosca

Puccini: Tosca
Paolo Arrivabeni; Robert Carsen; Staatsoper Hamburg; Stefano Ranzani; Anthony Ward; Davy Cunningham

ViennaCarmen

Bizet: Carmen
Alexander Soddy; Calixto Bieito; Vienna State Opera; Alfons Flores; Mercè Paloma; Alberto Rodríguez Vega; Orchestra of the Vienna State Opera

HamburgLes Contes d'Hoffmann

Offenbach: Les Contes d'Hoffmann (The Tales of Hoffmann)
Kent Nagano; Daniele Finzi Pasca; Staatsoper Hamburg; Hugo Gargiulo; Giovanna Buzzi; Philharmonisches Staatsorchester Hamburg
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BarcelonaMacbethNew production

Verdi: Macbeth
Josep Pons; Jaume Plensa; Gran Teatre del Liceu; Urs Schönebaum; Orquesta Sinfónica del Gran Teatre del Liceu
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At La Scala, Livermore sets Gioconda in a dreamy Venetian landscape

La Scala presents a new production of Ponchielli’s masterpiece, the first one in more than 20 years and a sequence of beautiful images supporting a solid cast, led by Saioa Hernández.

***11
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Moïse et Pharaon in Pesaro: the Rossini Opera Festival is back!

A new production by Pier Luigi Pizzi opens the festival in Pesaro with Giacomo Sagripanti in the pit leading a strong cast and powerful chorus.
****1
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More dramma than giocoso: Don Giovanni at Covent Garden

Unimpeachable voices and fine playing light up The Royal Opera's latest revival of Kasper Holten's dark staging.
****1
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Highway to Hell: Don Giovanni returns to Covent Garden

Kasper Holten's psychological take on the louche lothario remains controversial, but in its third revival, Erwin Schrott's powerful assumption of the title role is a delight.
***11
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Faust finds salvation thanks to jump-in soprano

A devilishly fun performance of Gounod's take on Goethe, saved when Mandy Fredrich flew in at short notice to take over the role of Marguerite. 
****1
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A superb, sinister Hoffmann at Dutch National Opera

Selectively unearthed from current critical editions, this fabulously performed new Hoffmann plumbs the murky depths of its antihero’s psyche.
*****
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