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L’Arlésienne & Le Docteur Miracle

This listing is in the past
Théâtre du ChâteletParis, Île-de-France, France
Dates/times in Paris time zone
Performers
Théâtre du Châtelet
Sora Elisabeth LeeConductor
Pierre LebonDirector, Set Designer, Costume Designer
Bertrand KillyLighting Designer
Orchestre de chambre de Paris

L'Arlésienne

Eddie ChignaraBaritoneBalthazar
Pierre LebonBaritoneL’Innocent
Aurélien BednarekDancerMitifio / Frédéri
Iris FlorentinyDancerRose / Vivette

Le Docteur Miracle

Dima BawabSopranoLaurette
Héloïse MasSopranoVeronique
Marc MauillonBaritoneSilvio/Pasquin
Thomas DoliéBaritoneMayor
Pierre LebonBaritoneL’Assistant du Docteur Miracle

L’Arlésienne began as a short story by Alphonse Daudet, published in the daily newspaper L’Événement in August 1866, and later included in his Lettres de mon moulin (1869). It was inspired by the suicide of a nephew of the Provençal poet Frédéric Mistral as a consequence of unrequited love. Daudet himself adapted the story for the stage: it became a play in three acts and five tableauxwith incidental music by Bizet. Hervé Lacombe has now created a text, spoken by a narrator, telling the story of L’Arlésienne more concisely, while enabling us to hear the full score of the work for chorus and orchestra.

Le Docteur Miracle was written for an opera competition organised in 1856 by Jacques Offenbach. Candidates were to set the one-act libretto of Le Docteur Miracle. Georges Bizet, aged barely twenty, was awarded first prize jointly with Charles Lecocq. Rather surprising in Bizet’s operatic career, this one-act farce reveals his comic talent.

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