| Friday 19 March 2027 | 19:00 |
| Sunday 21 March 2027 | 15:00 |
| Mozart, Wolfgang Amadeus (1756-1791) | Le nozze di Figaro (The Marriage of Figaro) | Libretto by Lorenzo Da Ponte |
| Estonian National Opera | ||
| Arvo Volmer | Conductor | |
| Kaspar Mänd | Conductor | |
| Lauri Sirp | Conductor | |
| Marco Gandini | Director | |
| Andrea Tocchio | Set Designer | |
| Simona Morresi | Costume Designer | |
| Rasmus Rembel | Lighting Designer | |
| Estonian National Opera Orchestra | ||
| Estonian National Opera Choir | ||
| Maria Rossi Franchi | Set Designer | |
| Marge Ehrenbusch | Choreography | |
| Martin Trudnikov | Choirmaster / chorus director | |
| Tamar Nugis | Baritone | Count Almaviva |
| Annabel Soode | Soprano | Countess Almaviva |
| Raiko Raalik | Bass | Figaro |
| Kristel Pärtna | Soprano | Susanna |
| Karis Trass | Mezzo-soprano | Cherubino |
| Priit Volmer | Bass | Doctor Bartolo |
| Janne Ševtšenko | Soprano | Marcellina |
| Rafael Dicenta | Tenor | Don Curzio |
| Mart Laur | Bass | Antonio |
| Kadri Nirgi | Soprano | Barbarina |
“Le nozze di Figaro” was Mozart’s first collaboration with librettist Lorenzo Da Ponte. They would soon create “Don Giovanni” and “Così fan tutte”. Lorenzo Da Ponte adapted Pierre Beaumarchais’ controversial play that at the time was banned in Vienna due to its scandalous portrayal of servants outwitting their aristocratic masters. But Da Ponte focuses less on the original satire and more on the timeless issues of the comedy genre. Following its successful Viennese premiere, the opera became a major success when produced in Prague a few months later – a triumph for Mozart that led to the commission to write “Don Giovanni”.
Mozart’s score is sunny and sublime with a bubbling overture, brilliantly crafted arias and animated ensemble scenes that won the hearts of its early audiences. Encores became so numerous that after the work’s third performance the emperor allowed encores only for arias to keep the performance to a sensible length.
