Russian mezzo-soprano Aigul Akhmetshina discusses the role of Carmen and reflects on the fantastic opportunities fate has thrown her way since joining The Royal Opera's young artist programme.
There can be fewer more idyllic places in the world to see an opera. Behind the floating stage was Sydney’s harbour bridge and opera house; to the left, the lights of the central business district; and to the right, the glittering lights of the Northern Shore and the occasional ferry making its way to Circular Quay.
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