Performer: Opera Australia

Opera's greatest romcom glitters on its third outing at the Sydney Opera House. 

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary. 

Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well. 

Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent. 

Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

Nicole Car makes her role debut as Dvořák's Rusalka in a production by Sarah Giles that proves a winner. 

“Go digital!” was the brief to director Chen Shi-Zheng, who has employed cutting-edge visualisation technology and motion-tracking for the 15-hour Wagner cycle in Brisbane.

The first director of Asian descent to stage Der Ring des Nibelungen in its entirety talks about his refusal to follow existing formulas in this new production for Opera Australia.

We talk to Stefanie Paglialonga, Head of the Wig Department at Opera Australia, to find out more about this unique profession.