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Performer: Opera Australia

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SydneyOpera on Cockatoo Island: Carmen

Bizet: Carmen
Tahu Matheson; Liesel Badorrek; Opera Australia; Mark Thompson; John Rayment; Opera Australia Orchestra

SydneyDon Giovanni

Mozart: Don Giovanni
Guillaume Tourniaire; Sir David McVicar; Opera Australia; Paul Fitzsimon; Robert Jones; David Finn

SydneyLa bohème

Puccini: La bohème
Michelangelo Mazza; Gale Edwards; Opera Australia; Tahu Matheson; Brian Thomson; Julie Lynch; John Rayment
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SydneyDie lustige Witwe (The Merry Widow)

Lehár: Die lustige Witwe (The Merry Widow)
Richard Bonynge; Lotfi Mansouri; Opera Australia; Gordon Wilcock; Ronald Stevens; Joan Sutherland; Anne-Maree McDonald

SydneyLa traviata

Verdi: La traviata
Brian Castles-Onion; Francesca Zambello; Opera Australia; Brian Thomson; Emma Matthews; Gianluca Terranova; Jonathan Summers
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Sex, seagulls and sails: Opera Australia's Carmen on Cockatoo Island

Sydney may possess the most iconic opera house in the world, but Opera Australia ventured outdoors once more for a successful rock 'n' roll-themed Carmen on Cockatoo Island, with a stage positioned at water's edge.
****1
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Elijah Moshinsky's chocolate box Traviata is back Opera Australia

Gorgeous sets and costumes aren't quite enough to make this La traviata revival sparkle.
***11
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An underwhelming Madama Butterfly in Sydney

A mid-performance jump-in by tenor Thomas Strong saves the show on the opening night of this revival of Graeme Murphy's production.
***11
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Treasure in the rubble: Jonas Kaufman makes Australian stage debut

Star tenor Jonas Kaufmann sings the title role in Olivier Py's dour and symbolism-heavy Lohengrin, set in post-war Berlin.
****1
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La Juive makes a belated Australian debut

187 years after its Parisian debut, Halévy's La Juive receives its Australian premiere. A sterling cast under Carlo Montanaro reveals some unexpected beauties (and occasional longueurs) in this classic of French grand opéra.
****1
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Three international soloists triumph in Opera Australia’s Otello

Splendid performances by Yonghoon Lee and Karah Son breathe life into Harry Kupfer’s 20-year-old production.
****1
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