From emperors and empresses to nymphs, gods and giants by way of faithful wives, sorceresses, knights, dastardly noblemen and dazzling coloratura arias, here's your guide to the master showman of Baroque opera.
In Pierre Audi’s new production of Handel’s Orlando, currently running at La Monnaie in Brussels (until 12 May, and thereafter available free online on their website for three weeks), the knight Orlando is portrayed as a modern-day fireman who in his fascination with fire has become an arsonist – “pyromane” as Audi explains in the programme.
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