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Classical music, opera, ballet and dance in Belgium

Use Bachtrack's search facility to find concerts, opera and dance events not only in this country but right around the world. Bachtrack has the largest number of upcoming events of any website, and if you want to read reviews of events which have taken place here, or in another country, you can search here for exactly the reviews which interest you.

September 2021
Evening performance
Matinee performance
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BrusselsThe Goldberg Variations, BWV988

La Monnaie De Munt
Bach: Goldberg Variations
Anne Teresa De Keersmaeker; Rosas; Pavel Kolesnikov; Alain Franco

BrusselsAlain Altinoglu conducts Franck, Ravel & Saint-Saëns

La Monnaie De Munt
Franck, Ravel, Saint-Saëns
La Monnaie Symphony Orchestra; Alain Altinoglu; Cédric Tiberghien

BrusselsKris Defoort: The Time of Our SingingWorld premiere

Defoort: The Time of Our Singing
Kwamé Ryan; Ted Huffman; La Monnaie | De Munt; Johannes Schütz; Astrid Klein; Bernd Purkrabek; Claron McFadden

BrusselsThe six Brandenburg ConcertosWorld premiere

Bach: The six Brandenburg Concertos
Anne Teresa De Keersmaeker; Rosas; Amandine Beyer; Jan Versweyveld; An D'Huys

BrusselsConcertini 2021-22

La Monnaie De Munt
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Beginners' pluck: cast of first-timers in a first-rate Werther

Enea Scala and Rihab Chaieb impress in a concert performance of Massenet's Werther in Ghent. 
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Philippe Herreweghe conducts an energetic Mozart Requiem in Antwerp

Despite distancing, the members of Collegium Vocale Gent filled the Queen Elisabeth Hall with an impressively cohesive sound, transparent and powerful at the same time. 
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Portals into the surreal in La Monnaie's The Turn of the Screw

A highly satisfying level of polish in La Monnaie's stream in which one recognizes a precisely executed live performance at its core – one that would be thrilling to experience in person. 
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Dido and Aeneas reworked as performance art

Though ambitious and occasionally arresting, this revised and expanded take on the Purcell classic suffers from subtraction by addition.
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Antonini and Anima Eterna deliver Beethoven back to the future

The performance recalled Jos van Immerseel's remark that Beethoven’s music sounds less modern on the instruments of our time than it does on those of the early 19th century.
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