A rollicking good story woven into music by a composer without peers, the ultimate operatic expression of the High Romantic aesthetic, and an opera that actually feels short at five hours.
El Teatro Real presenta la tercera ópera de la tetralogía El anillo del nibelungo en manos de Pablo Heras-Casado, quien está ofreciendo una sólida mejora continua en términos de sonoridad, narrativa y de conexión con la audiencia.
****1
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
