Sir John Eliot Gardiner | Conductor | |
Monteverdi Choir | ||
Orchestre Révolutionnaire et Romantique | ||
Fabian Aloise | Choreography | |
Sophia Burgos | Soprano | Teresa |
Adèle Charvet | Mezzo-soprano | Ascanio |
Michael Spyres | Tenor | Benvenuto Cellini |
Vincent Delhoume | Tenor | Francesco |
Lionel Lhote | Baritone | Fieramosca |
Ashley Riches | Baritone | Bernardino |
Maurizio Muraro | Bass | Giacomo Balducci |
Tareq Nazmi | Bass | Pope Clement VII |
Alexander Ashworth | Baritone | Pompeo |
Peter Davoren | Tenor | An innkeeper |
Berlioz died in Paris on 8 March 1869. On the occasion of the 150th anniversary of the composer’s death, Sir John Eliot Gardiner, a renowned Berlioz-expert, chose this special work, which underwent a difficult history of adaptation and production, to bring it back to the stage in a version of his own. Berlioz’ first stage work is significant for his reception, both because of its composition and its dramaturgy, since the scenes from the life of sculptor Benvenuto Cellini may well be regarded as a biographical mirror of the composer’s own life. “Benvenuto Cellini” (1834 – 1837) was premiered on 10 September 1838 in Paris, the first performance in Berlin took place in 1896 at Königliche Hofoper Unter den Linden, today’s Staatsoper, and the work has only rarely been featured in operatic repertoires since then. Thus, the performance of “Benvenuto Cellini” at the 2019 Musikfest Berlin promises to be a premiere for the 21st century audience.