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Adrian Danchig-Waring bids farewell to NYCB on his own terms
A stirring but not overly sentimental program curated by Adrian Danchig-Waring for his farewell performance included a striking new work by Pam Tanowitz, two towering Balanchine works and a Lar Lubovitch duet.
Mira Nadon’s sparkling debut in Firebird with New York City Ballet
A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.
Understatement and spectacle at New York City Ballet
Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.
Savoring the glories of a timeless all-Balanchine program with NYCB
NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.
Mira Nadon's Monumentum pro Gesualdo and Movements stuns
It was a remarkable performance and (unusual for Monumentum pro Gesualdo and Movements for Piano and Orchestra) led to a loud, prolonged ovation at the curtain call.
NYCB's Contemporary Choreography marred by middle pieces
Although Glass Pieces and Pictures at an Exhibition are on the surface very different ballets, they both draw us into their world. I wish NYCB had been able to find more compelling middle ballets.