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Performer: Agnieszka Rehlis

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ToulouseRusalka

© Mirco Magliocca
Dvořák: Rusalka
Giacomo Sagripanti; Stefano Poda; Opéra National du Capitole de Toulouse; Orchestre National du Capitole de Toulouse

ParisGiuseppe Verdi / Requiem

© Caroline Doutre
Verdi: Messa da Requiem
Jérémie Rhorer; Le Cercle de l'Harmonie; Audi Jugendchorakademie; Agnieszka Rehlis; Andrei Danilov

ParisDie WalküreConcert performance

© Monika Rittershaus
Wagner: Die Walküre
Gianandrea Noseda; Zurich Opera; Orchester der Oper Zürich; Klaus Florian Vogt; Mika Kares; Michael Volle

ParisGötterdämmerungConcert performance

© Daniel Auf der Mauer
Wagner: Götterdämmerung
Gianandrea Noseda; Zurich Opera; Orchester der Oper Zürich; Chor der Oper Zürich; Klaus Florian Vogt; Camilla Nylund

EdinburghVerdi’s A Masked Ball

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Verdi: Un ballo in maschera
Gianandrea Noseda; Adele Thomas; Zurich Opera; Hannah Clark; Franck Evin; Orchester der Oper Zürich

ToulouseVerdi, Requiem / Le Cercle de l’Harmonie, Jérémie Rhorer, Orfeón Donostiarra

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Verdi: Messa da Requiem
José Antonio Sainz Alfaro; Le Cercle de l'Harmonie; Orfeón Donostiarra; Jérémie Rhorer; Axelle Fanyo
Latest reviewsSee more...

Well cast, high-quality singers in Royal Opera Trovatore revival

Riccardo Fassi (Ferrando) and the Royal Opera Chorus © RBO | Camilla Greenwell
Giacomo Sagripanti’s live wire dynamics and keenly judged tempo choices keep this revival of Verdi's Il trovatore buoyant at Covent Garden. 
***11
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A tale of two basses: Mussorgsky’s Boris Godunov at La Scala

Ildar Abdrazakov (Boris Godunov) © Brescia & Amisano | Teatro alla Scala
Ildar Abdrazakov and Ain Anger excel in the confrontation of tsar and historian; Kaspar Holten's safe but effective staging focuses on the relentless march of history.
****1
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Royal Opera Aida: a howl of protest against nationalism

Aida Triumphal March © ROH | Tristram Kenton
This is an Aida for the 21st century, with many pertinent things to say about oppression.
****1
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Il trovatore as gothic, medieval fairy tale in Zurich

Gianandrea Noseda takes his post as general music director at the Opernhaus Zurich leading a great cast in Adele Thomas' successful new production. 
****1
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Transcendental spheres: dancing Verdi’s Messa da Requiem in Zurich

Christian Spuck revisits Verdi’s sublime Messa da Requiem with a host of gifted dancers and singers at the Zurich Opernhaus.
****1
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Occult, mystical, extreme: Prokofiev’s Fiery Angel in Aix

With a stunningly inventive and modern-sounding score, strong acting performances and a staging full of theatrical illusion and coherent in spite of general weirdness, Aix's Fiery Angel impresses.
****1
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