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Opera Ballet Vlaanderen’s Parsifal: digital drama, celestial singing
Digital projections make Opera Ballet Vlaanderen’s Parsifal seem alienating and strange, but the singing is terrific and the orchestra sounds sensational.
Grotesque and gripping: Opera Ballet Vlaanderen unveils a new Salome
Not a great day for the patriarchy: Ersan Mondtag's gripping new Salome emphasises grotesque caricatures and ends with a bloody, plot-twisting coup d’état.
Stravinsky's Nightingale takes flight to open the Adelaide Festival
A piecemeal evening of high musical values as the Adelaide Festival opens with short Stravinsky pieces rather than the usual substantial opera.
Two classic stories, refreshed with humour in an engrossing bill
Opera Ballet Vlaanderen are offering up the ultimate antidote to frothy Christmas traditions with an original double bill featuring two premieres.
Power to the people! A revolutionary Clemenza di Tito
Revolution is not for the fainthearted in Milo Rau’s decolonized production of Mozart's opera seria for Opera Ballet Vlaanderen.
Demonic obsessions in Prokofiev's The Fiery Angel in Rome
In Emma Dante's staging we are viewing an allegory of death as painted in the medieval frescoes of Italian cemeteries.