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Performer: Alexander Melnikov

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BarcelonaCuarteto Casals: Brahms Piano Quintet

© Igor Cortadellas
Haydn, Bartók, Brahms
Cuarteto Casals; Alexander Melnikov

AmsterdamHeras-Casado conducts Stravinsky, Beethoven and Falla

© Dario Acosta
Nas, Stravinsky, Beethoven, Falla
Mahler Chamber Orchestra; Pablo Heras-Casado; Asko|Schönberg; Alexander Melnikov; Marina Heredia

AugsburgThe Conclusion

The Conclusion
Beethoven, Tchaikovsky
Deutsche Kammerphilharmonie Bremen; Jérémie Rhorer; Sarah Christian; Maximilian Hornung; Alexander Melnikov

HamburgAlexander Melnikov / Claron McFadden

Prokofiev, Cage, Berio, Berberian, Knussen, Schnittke, Schulhoff, Crumb
Claron McFadden; Alexander Melnikov

Frankfurt am MainKlavierabend Alexander Melnikov

Bach, Bach C.P.E., Mozart, Mendelssohn, Chopin, Scriabin, Schnittke
Alexander Melnikov, Piano
Latest reviewsSee more...

Melnikov and Staier bring intimacy and fresh edge to Schubert

Alexander Melnikov © Marco Borggreve
Alexander Melnikov and Andreas Staier's sensitive and insightful performances, combined with the fortepiano's freshness and added edge, make for a special evening of Schubert.
*****
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A great Wigmore evening with Melnikov and Cuarteto Casals

Alexander Melnikov © Marco Borggreve
Three great and contrasting works from different centuries, in superlative performances; a surprising programme with a real touch of alchemy.
*****
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Currentzis, Melnikov and musicAeterna at the Elbphilharmonie

Teodor Currentzis © Anton Zavyalov
Teodor Currentzis and his musicAeterna players from Siberia together with Alexander Melnikov venture into familiar musical territory.
***11
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Isserlis and Melnikov bring Russian intensity to Wigmore Hall

Steven Isserlis © Kevin Davis
There was depth and intensity from Steven Isserlis and Alexander Melnikov in this intriguing programme of Russian cello sonatas from old hands and new brooms.
****1
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Many pianos: Alexander Melnikov at Wigmore Hall

Alexander Melnikov © Marco Borggreve
An intriguing concert performed on three pianos from different eras which revealed how composers responded to the piano technology available to them at the time.
****1
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