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Bach sheds light in an impressively dark outing from the Australian Chamber Orchestra

The Australian Chamber Orchestra at the Barbican
© Mark Allan | Barbican
Alexander Melnikov
© Mark Allan | Barbican
Jeroen Berwaerts and the ACO
© Mark Allan | Barbican
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“there must always be a darkness lurking, however jaunty Shostakovich gets”
Reviewed at Barbican Hall, London on 21 March 2025
Bach, The Musical Offering, BWV1079: Ricercar a 6 (arr. Tognetti)
Bach, Brandenburg Concerto no. 3 in G major, BWV1048
Shostakovich, Piano Concerto no. 1 in C minor for piano, trumpet and string orchestra, Op.35
Gubaidulina, Reflections on the theme B-A-C-H, for string quartet (arr. for strings)
Bach, Well-Tempered Clavier 2: Prelude and Fugue No. 7 in E Flat Major, BWV876
Shostakovich, Chamber Symphony in C minor (arr. Rudolf Barshai), Op.110a
Hindemith, Trumpet Sonata (3rd movement)
Adès, Arcadiana, Op.12 Nr.6: Albion
Australian Chamber Orchestra
Richard Tognetti, Director, Violin
Jeroen Berwaerts, Trumpet
Alexander Melnikov, Piano
Ivan Podyomov, Oboe
Australian Chamber Orchestra in Melbourne: Gershwin, Shostakovich
****1
Mesmerising, but relentless Brahms and Beethoven from the ACO
****1
Why isn't the music enough? “Silence and Rapture” from the ACO
***11
Symphony or song cycle? Mahler’s Das Lied von der Erde in Sydney
***11
A walk to Beethoven: Bezuidenhout and the Australian Chamber Orchestra
***11
Young Romantic masters played by the ACO and Polina Leschenko
****1
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