Live EventsSee more...
DresdenAida
Verdi: Aida
Erik Nielsen; Katharina Thalbach; Semperoper Dresden; Ezio Toffolutti; Fabio Antoci; Staatskapelle Dresden
New York CityMedea
Cherubini: Médée/Medea
Carlo Rizzi; Sir David McVicar; Metropolitan Opera; Doey Lüthi; Paule Constable; The Metropolitan Opera Orchestra
New York CityLa bohème
Puccini: La bohème
Marco Armiliato; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Gil Wechsler; The Metropolitan Opera Orchestra
New York CityGražinytė-Tyla Leads Shostakovich, Elgar & Britten
Britten, Elgar, Shostakovich
New York Philharmonic; Mirga Gražinytė-Tyla; Julia Hagen; Lidia Fridman; Alexandros Stavrakakis
LondonAida
Verdi: Aida
Michele Mariotti; Robert Carsen; The Royal Opera; Miriam Buether; Annemarie Woods; Orchestra of the Royal Opera House Covent Garden
Latest reviewsSee more...
Tomb Raider: Sonja Frisell’s Aida exhumed one last time at the Met
Loading image...
A loud, unsubtle performance of a loud, unsubtle production – the Met really deserves a new Aida.
A fine showing for the 1884 Italian version of Don Carlo at the Met
Loading image...
A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi.
Nabucco marks a successful debut of Saioa Hernández as Abigaille
Saioa Hernández leads a solid cast in Dresden in a somewhat disappointing new production by David Bösch.
Exhilarating operatic talent at the Hans Gabor Belvedere Competition
A wonderful showcase of operatic voices at the 37th International Hans Gabor Belvedere Singing Competition in Latvia.
Rusalka inunda el Liceu bajo las voces de Grigorian y Beczała
Loading image...
Las voces para esta ópera fantástica de Dvořák serán recordadas en el Liceu; un plantel internacional en el que no faltó la excelencia y una dirección magistral del gran Pons.
La Cenerentola ordinaire de Damiano Michieletto au TCE
Loading image...
Au côté d'une distribution inégale et d'un chef inspiré, Michieletto signe une mise en scène qui répond bien au double impératif du dramma et du giocoso, mais qui manque d'originalité et de poésie.