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Performer: Alexei Ratmansky

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VilniusLes millions d'Arlequin

© Ana Andrianova
Drigo: Les millions d'Arlequin
Marius Petipa; Alexei Ratmansky; Lithuanian National Ballet; Robert Perdziola; Levas Kleinas

UtrechtReflections – Dutch National Ballet

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Mahler, Jeths, Bizet
Alexei Ratmansky; Kirsten Wicklund; Hans van Manen; George Balanchine; Dutch National Ballet; José Salazar; Dutch National Ballet Orchestra

RotterdamReflections – Dutch National Ballet

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Mahler, Jeths, Bizet
Alexei Ratmansky; Kirsten Wicklund; Hans van Manen; George Balanchine; Dutch National Ballet; José Salazar; Dutch National Ballet Orchestra

BredaReflections – Dutch National Ballet

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Mahler, Jeths, Bizet
Alexei Ratmansky; Kirsten Wicklund; Hans van Manen; George Balanchine; Dutch National Ballet; José Salazar; Dutch National Ballet Orchestra

MaastrichtReflections – Dutch National Ballet

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Mahler, Jeths, Bizet
Alexei Ratmansky; Kirsten Wicklund; Hans van Manen; George Balanchine; Dutch National Ballet; José Salazar; Dutch National Ballet Orchestra

HengeloReflections – Dutch National Ballet

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Mahler, Jeths, Bizet
Alexei Ratmansky; Kirsten Wicklund; Hans van Manen; George Balanchine; Dutch National Ballet; José Salazar; Dutch National Ballet Orchestra
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Dutch National Ballet’s Masters of Movement: mixed results

Giorgi Potskhishvili and Jessica Xuan in David Dawson’s Empire Noir © Altin Kaftira
Dutch National Ballet presents a triple bill of interesting contemporary works that show off the depth of talent within all ranks of the company.
***11
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Contemporary escapism at New York City Ballet

Chun Wai Chan and Ruby Lister in Edwaard Liang’s Distant Cries © Erin Baiano
A longtime NYCB fan favorite, Concerto DSCH  by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.
****1
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American Ballet Theatre's double bill is short and sweet in New York

Herman Cornejo and Skylar Brandt in Raymonda: Grand Pas Hongrois © Steven Pisano
American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.
****1
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A spectacular triple bill lifts ABT’s spring season in New York

Devon Teuscher in George Balanchine's Mozartiana © The George Balanchine Trust. Nir Arieli
A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.
****1
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NYCB: Ratmansky’s The Naked King is not satire, but good fun

David Gabriel, KJ Takahashi and Daniel Ulbricht in Alexei Ratmansky's The Naked King © Erin Baiano
New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.
****1
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NYCB: Balanchine + Ratmansky program warms the audience

Sara Mearns with the Company in George Balanchine's Serenade © Erin Baiano
NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.
*****
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MunichTchaikovsky Overtures

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Tchaikovsky: Tchaikovsky Overtures
Alexei Ratmansky; Bavarian State Ballet; Mikhail Agrest; Jean-Marc Puissant; James F Ingalls
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Alina Cojocaru: feeding off the energy of London City Ballet

Alina Cojocaru in Liam Scarlett's Consolations & Liebestraum for London City Ballet © Photography by ASH
Alina Cojocaru talks about the magical process of creating new roles, working with great choreographers and how, in spite of a long career, she is still learning every day.