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Young artists

Performer: Alfons Flores

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Frankfurt am MainManon Lescaut

Puccini: Manon Lescaut
Modestas Pitrenas; Àlex Ollé; Oper Frankfurt; Alfons Flores; Lluc Castells; Joachim Klein; Opera Frankfurt Orchestra

ParisLe Trouvère

Verdi: Il trovatore
Carlo Rizzi; Àlex Ollé; Opéra national de Paris; Alfons Flores; Lluc Castells; Urs Schönebaum; Orchestre de l'Opéra national de Paris


Bizet: Carmen
Fabien Gabel; Calixto Bieito; Opéra national de Paris; Alfons Flores; Mercè Paloma; Alberto Rodríguez Vega; Orchestre de l'Opéra national de Paris
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BarcelonaIl trovatore

Verdi: Il trovatore
Riccardo Frizza; Àlex Ollé; Gran Teatre del Liceu; Alfons Flores; Lluc Castells; Orquesta Sinfónica del Gran Teatre del Liceu; Coro del Gran Teatre del Liceu

MadridDer fliegende Holländer (El holandés errante)

Wagner: Der fliegende Holländer (The Flying Dutchman)
Pablo Heras-Casado; Àlex Ollé; Teatro Real; Alfons Flores; Josep Abril; Evgeny Nikitin; Ingela Brimberg
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Gods 1 – 0 Mortals in Staatsoper Berlin's Baroque Days festival

Àlex Ollé directs a rare version of Idoménée in Berlin, in which the staging fares better than the singing. 
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A stunning Carmen by Àlex Ollé opens at New National Theatre

New National Opera sucessfully  opened a world premiere production of Georges Bizet’s Carmen, directed by Spanish director Àlex Ollé, a production inspired by Amy Winehouse, a diva of today. 
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Àlex Ollé's La bohème gets an unfair reception at the Liceu

Contrasting sensations at the Liceu, where the audience punished a production of La bohème with boos and gave rapturous applause to a cast that performed at half throttle.
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Empty hunger: Bieito’s Carmen returns to ENO

Bieito’s Carmen is now a mainstay of ENO's repertoire, but with an excellent central cast led by Sean Panikkar and Justina Gringytė, the production feels entirely fresh. 
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Libertine cynicism in music: Francesconi's Quartett at La Scala

After 76 performances in 17 theatres and seven different productions, Quartett returns to La Scala in the original sgating by Àlex Ollé of La Fura dels Baus and the Milan audience is once more captivated.
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Turandot in Tokyo: A bold reimagining of the ending

Alex Ollé focuses in the princess's trauma to provide a back story for Puccini’s problematic last opera; Eri Nakamura captivates the New National Theatre audience.
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