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Performer: Alice Coote

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ManchesterThe Hallé - Bach’s Monumental Mass

© B Ealovega
Bach: Mass in B minor, BWV232
The Hallé; Sir Mark Elder; Mary Bevan; Alice Coote; Nicholas Mulroy; Morgan Pearse

BirminghamMahler’s Symphony of a Thousand

© Andrew Fox
Mahler: Symphony no. 8 in E flat major "Symphony of a Thousand"
City of Birmingham Symphony Orchestra; Mirga Gražinytė-Tyla; Erin Wall; Natalya Romaniw; Katja Stuber; Alice Coote

Los AngelesRoberto Devereux

Donizetti: Roberto Devereux
Eun Sun Kim; Stephen Lawless; LA Opera; Benoit Dugardyn; Ingeborg Bernerth; Davinia Rodríguez; Alice Coote

MadridLudwig van Beethoven 250 años de su nacimiento, 2

Ludwig van Beethoven 250 años de su nacimiento, 2
Berlioz, Beethoven
Orquesta Sinfónica de RTVE; Pablo González; Alice Coote; María Espada; Johannes Chum; Dietrich Henschel

ManchesterThe Hallé - Mahler’s Nature Symphony

© Jiyang Chen
Mahler: Symphony no. 3 in D minor
The Hallé; Sir Mark Elder; Alice Coote; Ladies of the Hallé Choir; Hallé Children's Choir
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Happy Anniversary: 50 up for MTT and the LSO, 150 for Berlioz

Michael Tilson Thomas conducting the LSO © Kevin Leighton
Tilson Thomas has form with Berlioz: the full forces of the LSO and London Symphony Chorus built up to a noble blaze
****1
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Elder and the Hallé: an almost perfect Mahler 2

Sir Mark Elder © Benjamin Ealovega
Mark Elder conducts Mahler 2 with The Hallé in a measured but utterly compelling performance at Bridgewater Hall
****1
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The Bohemians and Britten: Simon Rattle/LSO

Allan Clayton, Elizabeth Watts, Simon Rattle, Alice Coote and the LSO © Doug Peters | PA Wire
There was a tingle to this concert, as if musicians and audience alike saw clearly for the first time what riches lie ahead.
****1
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A pleasant Cendrillon première at the Metropolitan Opera

Joyce DiDonato (Cendrillon) © Ken Howard | Met Opera
Laurent Pelly’s staging provided some of the most memorable moments in this performance of Cendrillon
****1
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Adès' riveting The Exterminating Angel

Amanda Echalaz (Lucia de Nobile), Christian Van Horn (Julio) and Iestyn Davies (Francisco de Ávila) © Ken Howard | Metropolitan Opera
Adès opera resists explanation, and the ambiguity of the story drives much of its compelling nature. 
****1
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