Performer: Alix Le Saux

Laurent Pelly’s new production combines froth and hilarity with a dark, satirical heart; Marc Minkowski and the orchestra seduce us.

Though ambitious and occasionally arresting, this revised and expanded take on the Purcell classic suffers from subtraction by addition.

A welcome return to the Glyndebourne Festival for Melly Still's staging, which brings out the full emotional range of Dvořák’s fairytale of denial, heartbreak and forgiveness.

In her anxiety to be ‘new’, Shaw slaps a sackload of semi-comprehensible ideas onto a sort-of present day update.

Le tandem qui avait tant réussi ses Indes galantes à Bastille se prend les pieds dans le tapis d'un projet à la fois trop austère musicalement et bâclé sur le plan du projet scénique.