Performer: Andrew Moore

Live EventsSee more...

ZurichDie ZauberflöteNew production

Opernhaus, Sep 20, 25, Oct 06, 18 mat, 21, 24, 30

Mozart: Die Zauberflöte (The Magic Flute)

Tarmo Peltokoski; Daniele Finzi Pasca; Zurich Opera; Hugo Gargiulo; Giovanna Buzzi; Orchester der Oper Zürich

Opernhaus, Sep 26, Oct 04, 09, 13

Wagner: Tannhäuser

Markus Poschner; Thorleifur Örn Arnarsson; Zurich Opera; Florian Lösche; Teresa Vergho; Martin Gebhardt; Orchester der Oper Zürich

Opernhaus, Nov 08 mat, 15 mat, 19 mat, 21 mat, 26 mat, 28 mat, Dec 06 mat, 2027 Jan 02 mat, 08, 10 mat, 17 mat

Valtinoni: Alice im Wunderland

Michael Richter; Nadja Loschky; Zurich Opera; Étienne Pluss; Irina Spreckelmeyer; Franck Evin; Orchester der Oper Zürich

Carnegie Hall: Stern Auditorium, Nov 13, 15 mat

Puccini: Tosca

New York Philharmonic; Gustavo Dudamel; Marina Rebeka; Jonas Kaufmann; Ludovic Tézier; Andrew Moore

Opernhaus, 2027 Feb 12, 19, 21, Mar 02, 05

Gounod: Roméo et Juliette

Christopher Franklin; Ted Huffman; Zurich Opera; Andrew Lieberman; Annemarie Woods; Franck Evin; Orchester der Oper Zürich

Opernhaus, 2027 Mar 07, 10, 12, 16, 18, 21

Mozart: La clemenza di Tito

Gianluca Capuano; Damiano Michieletto; Zurich Opera; Paolo Fantin; Klaus Bruns; Alessandro Carletti; Orchestra La Scintilla

Latest reviewsSee more...

A feast for the eyes and ears: Lehár’s Merry Widow in Zurich

Michael Volle (Count Danilo Danilowitsch) and Marlis Petersen (Hanna Glawari) © Monika Rittershaus

Thomas Schacher, 20 Feb

Barrie Kosky stages the famous Viennese operetta as a whirlwind spectacle. Marlis Petersen shines in the title role vocally and theatrically. Michael Volle does not live up to expectations.

****1

Benjamin Bernheim (Werther) © Toni Suter

Laura Servidei, 23 Jan

Benjamin Bernheim leads a very good cast in a revival of Tatjana Gürbaca's interesting 2017 production.

***11

Björn Bürger (Gaveston) and Ivan Ludlow (Edward II) © Herwig Prammer

Elodie Olson-Coons, 21 May

Given a new production by Evgeny Titov, Benjamin's second full-length opera is musically brilliant, but its examination of our inner darkness lacks heart.

****1