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Performer: Anna Princeva

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DüsseldorfDie Fledermaus

Strauss II: Die Fledermaus
Benjamin Reiners; Axel Köhler; Deutsche Oper am Rhein; Frank Philipp Schlößmann; Norbert Ernst; Cornel Frey

DüsseldorfLa traviata

Verdi: La traviata
Davide Crescenzi; Andreas Homoki; Deutsche Oper am Rhein; Marie Jacquot; Antonino Fogliani; Frank Philipp Schlößmann; Gabriele Jaenecke

BonnCavalleria Rusticana / PagliacciNew production

Mascagni, Leoncavallo
Will Humburg; Guy Montavon; Theater Bonn; Hank Irwin Kittel; Bianca Deigner; Dshamilja Kaiser; George Oniani

BonnDie FledermausNew production

Strauss II: Die Fledermaus
Daniel Johannes Mayr; Aron Stiehl; Theater Bonn; Timo Dentler; Okarina Peter; Johannes Mertes; Anna Princeva
Latest reviewsSee more...

Michieletto's brilliantly interwoven Cav & Pag in Sydney

Dragana Radakovic (Santuzza), Dominica Matthews (Mamma Lucia) and Diego Torre (Turiddu) © Keith Saunders
Damiano Michieletto's inspired intertwining of the standard double-bill of Cavalleria rusticana and Pagliacci makes for vivid storytelling, the whole supported by an excellent cast solidly directed by Andrea Licata.
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A disappointing Don Giovanni in Prague

Svatopluk Sem (Don Giovanni) © Hana Smejkalová (2014)
Whilst the spirit of Mozart permeates the Estates Theatre in Prague, it was sadly absent in both the staging and singing of his “work of uninterrupted perfection”.  
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Don Giovanni where it began, at the Estates Theatre in Prague

Seeing Don Giovanni at the Estates Theatre in Prague is a special occasion, for two reasons. Firstly, for the history: it’s the theatre where the opera was first performed, back in 1787. Secondly, because today’s Estates Theatre is one of the loveliest opera houses you will find anywhere. Seating just 643, it’s an intimate space, in the classic horseshoe parterre-plus-boxes configuration.
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Blutleere Wiederaufnahme der Traviata

Anna Princeva (Violetta) und Pavel Petrov (Alfredo) © Werner Kmetitsch | Oper Graz
Fehlende Spannung in musikalischer wie szenischer Hinsicht konnten bei dieser Wiederaufnahme auch gute Einzelleistungen nicht wettmachen.
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