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ParisManon LescautNew production

Puccini: Manon Lescaut
Lorenzo Passerini; Oliver Mears; Annemarie Woods; Fabiana Piccioli; Orchestre National de France
BerlinKing Roger

Szymanowski: King Roger, (Król Roger) Op.46
James Gaffigan; Evgeny Titov; Komische Oper Berlin; Xin Tan; Paul Zoller; Annemarie Woods; Sebastian Alphons
ZurichRoméo et Juliette

Gounod: Roméo et Juliette
Christopher Franklin; Ted Huffman; Zurich Opera; Andrew Lieberman; Annemarie Woods; Franck Evin; Orchester der Oper Zürich
AmsterdamPrey – Dutch National BalletWorld premiere

Karlsson: Prey
Jessica Wright; Morgann Runacre-Temple; Dutch National Ballet; Koen Kessels; Michael Levine; Annemarie Woods; DM Wood
AmsterdamIolantaNew production

Tchaikovsky: Iolanta
Kwamé Ryan; Evgeny Titov; Dutch National Opera; Rufus Didwiszus; Annemarie Woods; Martin Gebhardt; Rotterdam Philharmonic Orchestra
LondonLa GiocondaNew production

Ponchielli: La Gioconda
Sir Antonio Pappano; Oliver Mears; The Royal Opera; Philipp Fürhofer; Annemarie Woods; Fabiana Piccioli; Orchestra of the Royal Opera House Covent Garden
Latest reviewsSee more...
Musical triumph meets voyeuristic violence in Carsen’s Pag & Cav

Dutch National Opera’s powerhouse cast and incandescent chorus deliver a musical triumph in Robert Carsen’s Cav/Pag revival, even as its voyeuristic staging leaves bitter ethical questions around gendered violence unresolved.
The Royal Ballet in Perspectives: a diverse and challenging triple

The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.
In Mears’ bleak Royal Opera Semele, Pretty Yende stands out

Superb Handelian singing and intense character acting light up Handel’s Semele, staged as a stark, uncompromising indictment of the rich and powerful.
To the Moon and back: Janáček’s Mr Brouček visits Berlin

Robert Carsen's new production of Janáček’s The Excursions of Mr Brouček for the Staatsoper Unter den Linden scores a well-deserved success thanks to a stellar – or rather, lunar – conducted by Sir Simon Rattle.
Well cast, high-quality singers in Royal Opera Trovatore revival

Giacomo Sagripanti’s live wire dynamics and keenly judged tempo choices keep this revival of Verdi's Il trovatore buoyant at Covent Garden.
Forbidden love in times of war: Aida at The Royal Opera

Strong performances by chorus, orchestra and the father-daughter pairing of Amartuvshin Enkhbat and Anna Pirozzi make this Covent Garden revival well worth the visit.
