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Performer: Antonio Poli

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VeniceConcerto diretto da Riccardo Frizza

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Sinopoli, Perosi
Orchestra del Teatro La Fenice; Riccardo Frizza; Coro del Teatro La Fenice; Elena Pierini; Marigona Qerkezi; Valentina Pernozzoli

ValenciaLa clemenza di TitoNew production

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Mozart: La clemenza di Tito
Stefano Montanari; Rafael R. Villalobos; Palau de les Arts Reina Sofía; Emanuele Sinisi; Felipe Ramos; Orquestra de la Comunitat Valenciana

MilanMacbethNew production

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Verdi: Macbeth
Myung-whun Chung; Barrie Kosky; Teatro alla Scala; Klaus Grünberg; Klaus Bruns; Orchestra del Teatro alla Scala
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Emotionally compelling: Anna Netrebko in Verdi’s Requiem at La Scala

Riccardo Chailly with soloists Caterina Piva, Anna Netrebko, Antonio Poli and Michele Petrusi © Brescia e Amisano | Teatro alla Scala
Gold dust, shattered shop windows and a soprano between profanity and prayer: Anna Netrebko’s dark intensity meets rare tenderness in Verdi’s Messa da Requiem, as Milan’s unrest invades La Scala.
****1
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Alzira: mining for gold at the Festival Verdi

Marta Torbidoni (Alzira) and Daniel Luis de Vicente (Gusmano) © Roberto Ricci | Festival Verdi
Manuel Renga directs a simple, but sympathetic production of Verdi's early opera set in 16th-century Peru. 
****1
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A solid Traviata closes the San Carlo season in Naples

A production apt for audiences who prefer a traditional, intimate staging of the most often performed of all operatic works.
***11
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A glorious Verdi Requiem under Michele Mariotti in Dublin

Angela Meade shone in the soprano solo, beautifully backed by leader Tamas Kocsis, in the passage that segues into the stunning "Abraham thou didst promise" section.
****1
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Heart and soul: Irina Lungu sings Traviata in Tokyo

Tokyo's New National Theatre is currently celebrating its twentieth anniversary season with three new productions and revivals of their most popular productions including Vincent Boussard’s minimal yet colourful Traviata.
****1
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A director's Falstaff in Naples

Good overall singing, but the Steinberg's conducting was completely subordinate to the stage directions.
***11
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