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WNO’s abstract Magic Flute proves more contemporary than cohesive
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WNO delivers a well-performed production of Mozart’s Magic Flute with some fresh ideas, but other which dilute it.
Blue, Jeanine Tesori's new opera on urban violence, comes to ENO
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Blue could hardly have been better rendered than here. Indeed, I wish every opera I see could be staged with such grace and finesse.
A character study in singing: Handel’s Tamerlano at ETO
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A fine cast breathes life into the story of the captured Ottoman Sultan Bajazet and his Mongol conqueror.
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LondonCopland: Twelve Poems of Emily Dickinson

Copland: 12 poems of Emily Dickinson
Matthew Eberhardt; Rory Beaton; April Koyejo-Audiger; Sergey Rybin