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Performer: Arnold Schoenberg Choir

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StainzSchubert in Stainz

© Werner Kmetitsch
Concentus Musicus Wien; Andrés Orozco-Estrada; Elisabeth Breuer; Sophie Rennert; Daniel Johannsen; Franz Gürtelschmied

ViennaLa vestaleNew production

Spontini: La vestale
Bertrand de Billy; Johannes Erath; Theater an der Wien; Katrin Connan; Jorge Jara; Michael Spyres; Sébastien Guèze

ViennaFidelioNew production

Beethoven: Fidelio
Manfred Honeck; Christoph Waltz; Theater an der Wien; Frank Barkow; Judith Holste; Nicole Chevalier; Joseph Kaiser

ViennaRusalkaNew production

Dvořák: Rusalka
David Afkham; Amélie Niermeyer; Theater an der Wien; Christian Schmidt; Kirsten Dephoff; Maria Bengtsson; Ladislav Elgr

ViennaLa clemenza di TitoNew production

Mozart: La clemenza di Tito
Stefan Gottfried; Sam Brown; Theater an der Wien; Alex Lowde; Joseph Kaiser; Nicole Chevalier
Latest reviewsSee more...

Physiology, puppetry and pharmaceuticals at Theater an der Wien

Vincent Wolfsteiner (Hüon), Annette Dasch (Rezia) and Sebastian Mock (Puck) © Werner Kmetitsch
Director Nikolaus Habjan took Oberon’s inherent miscellany and ran with it, straight into a retro-futurism aesthetic.
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Make feminism, not love: The Maid of Orleans at TAW

Lena Belkina (Johanna) © Werner Kmetitsch
It is all very easy on the eyes, although pondering what it is all supposed to mean is a recipe for a migraine.
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A psychological drama: Weber's Euryanthe in Vienna

Jacquelyn Wagner (Euryanthe) and the Arnold Schoenberg Choir © Monika Rittershaus
Vienna's Theater an der Wien stage a seldom performed opera by Carl Maria von Weber with an excellent cast, orchestra, and chorus.  
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Berlin remembers World War 1 with Beethoven's Missa solemnis

Dame Sarah Connolly © Jan Capinski
Fine orchestral sound and outstanding solo singing from Sarah Connolly and Steve Davislim aren't enough to compensate for poor balance and timing in Beethoven's great choral work.
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Strongly cast Guillaume Tell hits its mark at Theater an der Wien

Christoph Pohl (Guillaume Tell) and Anita Rosati (Jemmy) © Moritz Schell
Osborn absolutely lives the part; he negotiated formidable heights, intricate passage work and the sheer volume of notes with style and clarity as well as colour and nuance. 
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