| Saturday 17 October 2026 | 19:00 |
| Tuesday 20 October 2026 | 19:00 |
| Thursday 22 October 2026 | 19:00 |
| Sunday 25 October 2026 | 19:00 |
| Wednesday 28 October 2026 | 19:00 |
| Friday 30 October 2026 | 19:00 |
| MusikTheater an der Wien | ||
| Robert Jindra | Conductor | |
| Philipp Stölzl | Director, Set Designer, Lighting Designer | |
| Ursula Kudrna | Costume Designer | |
| Vienna Symphony Orchestra | ||
| Arnold Schoenberg Choir | ||
| Philipp M Krenn | Szenische Neueinstudierung | |
| Conrad Moritz Reinhardt | Set Designer | |
| Christian Schröder | Dramaturgy | |
| Ambur Braid | Soprano | Senta |
| Jordan Shanahan | Baritone | Dutchman |
| Wilhelm Schwinghammer | Bass | Daland |
| Cameron Becker | Tenor | Erik |
| Ieva Prudnikovaite | Mezzo-soprano | Mary |
| James Ley | Tenor | The Steersman |
A terrible curse hangs over him: the infamous seaman known as “the flying Dutchman” can only go ashore every seven years to try to find a wife who, if she is true to him, will release him from his ordeal. If he fails, he is condemned to roam the oceans of the world. Senta, daughter of the sea captain Daland, knows of the Dutchman’s fate and feels that it is her destiny to save him through her love. But can her obsession with this phantom survive when she is faced with the reality? In his opera, included in the canon of “works fit for Bayreuth” in 1901, Richard Wagner portrays a man who despairs of life and society. Although composed in 1841 in Paris, the work did not appear until two years later in Dresden. In his production, director Philipp Stölzl questions the opera’s attitude towards women and follows the plot solely from Senta’s perspective – who is “sold” by her father and expected to give herself up entirely for another man.
In German with German and English surtitles
Introduction to the work 30 minutes before curtain-up

