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Performer: Aurélien Bory

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ParisSept Larmes pour Élisabeth

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Various: Sept larmes pour Elisabeth
Thibaut Garcia; Aurélien Bory; Aure Wachter

ParisPortrait d’orchestre

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Beethoven: Symphony no. 3 in E flat major "Eroica", Op.55
Orchestre de Paris; Sarah Nemtanu; Aurélien Bory; Compagnie 111

ToulousePortrait d’orchestre

Orchestre National du Capitole de Toulouse
Beethoven: Symphony no. 3 in E flat major "Eroica", Op.55
Orchestre National du Capitole de Toulouse; Aurélien Bory

ToulouseLe Roi ArthusNew production

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Chausson: Le Roi Arthus
Victorien Vanoosten; Aurélien Bory; Opéra National du Capitole de Toulouse; Alain Blanchot; Arno Veyrat; Orchestre National du Capitole de Toulouse
Latest reviewsSee more...

Plexus experimentations

Aurelien Bory and Kaori Ito take an experimental leap forward in the use of light, sound and movement. The purpose of this creation is to explore the relationship between the outer, physical body of the dancer and her inner world.
****1
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London International Mime Festival: What's Become of You?

Aurélien Bory’s production What’s Become of You? (questcequetudeviens?), danced and choreographed by flamenco dancer Stéphanie Fuster, presented to great acclaim at the Mime Festival
****1
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The surreal dream of an office worker: Compagnie 111's Plan B at London International Mime Festival

This year, London International Mime Festival featured the restaging of Compagnie 111’s Plan B, the surreal interpretation of a white-collar worker’s dream. The piece, which originated 2003 with the encounter of circus artist Aurélien Bory with actor Phil Soltanoff, is a well-calibrated mix of circus and physical theatre that twirls as a dance and transports you into a Magritte-like world.
****1
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Compagnie 111's triumphant showing of Sans Objet at NYC's BAM

It’s a pretty daring thing to make a piece of machinery – albeit an impressive piece of machinery – the focal point of a dance-theatre performance, but Compagnie 111’s artistic director Aurélien Bory needed only the first few seconds of Sans Objet to arrest the audience’s attention.
****1
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Dafne au Théâtre de l'Athénée : une indigeste métamorphose

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Dans la mise en scène sobre mais monotone d'Aurélien Bory, la création de Wolfgang Mitterer peine à retenir l'attention malgré la belle prestation des Cris de Paris.
**111
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Que la lumière soit : Aurélien Bory éclaire Parsifal au Capitole

Le célèbre opéra de Wagner était très attendu au Théâtre du Capitole, dans une production nouvelle et locale, menée par le metteur en scène toulousain Aurélien Bory et la baguette de Frank Beermann.
****1
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