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Performer: Aušrinė Stundytė

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ViennaSalome

Strauss R.: Salome
Dennis Russell Davies; Boleslaw Barlog; Vienna State Opera; Jürgen Rose; Aušrinė Stundytė; Linda Watson

BaltimoreBrahms Symphony no. 4

Wagner, Hindemith, Brahms
Baltimore Symphony Orchestra; Marin Alsop; Aušrinė Stundytė; Renée Morloc; Peabody Women's Chorus; Kateryna Sokolova

ViennaAntrittskonzert als Chefdirigentin

Auerbach, Hindemith
Vienna Radio Symphony Orchestra; Marin Alsop; Damen der Wiener Singakademie; Aušrinė Stundytė; Renée Morloc; Annette Schönmüller

BerlinSalome

Strauss R.: Salome
Thomas Guggeis; Hans Neuenfels; Staatsoper Berlin; Aušrinė Stundytė; Marina Prudenskaya; Vincent Wolfsteiner; Peter Sonn

ViennaDer feurige EngelNew production

Prokofiev: The Fiery Angel
Constantin Trinks; Andrea Breth; Theater an der Wien; Martin Zehetgruber; Carla Teti; John Lundgren; Aušrinė Stundytė
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An emotional new Tosca from Christof Loy in Helsinki

Tuomas Pursio (Scarpia) and Aušrinė Stundytė (Tosca) © Heikki Tuuli
Carè, Stundytė and Pursio all shine as singers and actors in an intense, exciting production at the Finnish National Opera.
****1
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Penetrating Schreker’s kaleidoscopic score

Die Gezeichneten © Iko Freese | drama-berlin.de
Franz Schreker’s Die Gezeichneten (The Branded One) is an unsettling work given the storyline’s background of abduction and clandestine sexual abuse. Calixto Bieito, as expected, eschews ambiguity regarding what goes on behind the scenes, and casts even the titular cripple Alviano Salvago in a damning light.
****1
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Occult, mystical, extreme: Prokofiev’s Fiery Angel in Aix

Aušrinė Stundytė (Renata) © Pascal Victor | artcompress
With a stunningly inventive and modern-sounding score, strong acting performances and a staging full of theatrical illusion and coherent in spite of general weirdness, Aix's Fiery Angel impresses.
****1
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Neuenfels' bloodless Salome in Berlin

Ausrine Stundyte (Salome) and Christian Natter (Oscar Wilde) © Monika Rittershaus
Hans Neuenfels new Salome proves a strangely non-committal affair at the Staatsoper, but Thomas Guggeis conducts impressively.
***11
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Toy Story: Calixto Bieito stages Die Gezeichneten

Michael Nagy (Count Tamare) and Peter Hoare (Alviano) © Iko Freese | drama-berlin.de
The Spanish director offers a controversial angle but tones it down to focus on dark psychology rather than spectacle in his staging of Schrecker's hothouse opera.
***11
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