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Batsheva Dance Company in Ohad Naharin’s Momo: pure energy
In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.
Opera Ballet Vlaanderen: how to win over an audience
Two very diverse works that complement each other and show off the depth of talent within Opera Ballet Vlaanderen.
Flickers of human fragility: Staatsballett Berlin’s superb double bill
Dancers as athletic poets: Staatsballett Berlin in Ohad Naharin’s Minus 16 and Sharon Eyal and Gai Behar’s Saaba.
L’énergie fulgurante de Decadance à l’Opéra de Paris
Ohad Naharin, pionnier de la chorégraphie contemporaine israélienne et directeur de la Batsheva Dance Company, est de retour à l’Opéra de Paris avec Decadance, une anthologie géniale et explosive composée de dix extraits de ses œuvres.