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Young artists

Performer: Beatrice Rana

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LondonBeatrice Rana

Wigmore Hall
Arensky, Rachmaninov
Beatrice Rana; Stephen Waarts; Ludovica Rana; Massimo Spada

AntwerpDance with the devil

Debussy, Scriabin, Castelnuovo-Tedesco, Liszt
Beatrice Rana, Piano

LondonBeatrice Rana

Scriabin, Castelnuovo-Tedesco, Debussy, Liszt
Beatrice Rana, Piano

RotterdamRachmaninov & Tchaikovsky

Rachmaninov, Tchaikovsky
Rotterdam Philharmonic Orchestra; Maxim Emelyanychev; Beatrice Rana

StockholmOrchestre Philharmonique du Luxembourg

Rachmaninov, Berlioz
Orchestre Philharmonique du Luxembourg; Gustavo Gimeno; Beatrice Rana

DortmundSchumann, Vaughan Williams

Schumann, Vaughan Williams
WDR Symphony Orchestra; Andrew Manze; Beatrice Rana
Latest reviewsSee more...

Beatrice Rana brings an outstanding recital to Carnegie Hall

The Italian pianist shed a very personal light on the threads and knots of the musical history tapestry.
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Striking Sibelius from Slobodeniouk, magical Mendelssohn from Rana

Conducting the LPO, Dima Slobodeniouk plumbs the depths of Sibelius' Second Symphony, while Beatrice Rana reveals the bewitchment at the heart of Mendelssohn's First Piano Concerto.
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The other Schumann shines: Clara's concerto debuts in Philadelphia

Yannick Nézet-Séguin and the Philadelphia Orchestra pair Clara Schumann's inventive Piano Concerto in A minor with Florence Price's fascinatingly complex Third Symphony, bookended by unnecessary Ravel.
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Beatrice Rana makes exceptional debut with the New York Philharmonic

The Italian pianist breathes new life into a well-trodden warhorse by bringing out some of the score’s overlooked details in the Philharmonic's final concert at the Rose Theater. 
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Nézet-Séguin, Rana and the Bavarian Radio Symphony

Hans Abrahamsen makes a powerful statement in his latest orchestral work, while Yannick Nézet-Séguin, Beatrice Rana and the BRSO make a spirited attempt to reawaken interest in Clara Schumann's only concerto.
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Imperial Beethoven and riddling Shostakovich from Rana and Noseda

In this performance of Shostakovich's final symphony, the ‘Fate’ motif from Wagner’s Ring suggested the LSO brass had been moonlighting in Bayreuth.
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