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Performer: Benjamin Bayl

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HamburgAkademie für Alte Musik Berlin / Benjamin Bayl

Bach C.P.E.: Passions-Cantate, Wq 233
Akademie für Alte Musik Berlin; Benjamin Bayl; Berit Norbakken Solset; Emőke Baráth; Elisabeth Kulman; Benjamin Hulett

ViennaCandideNew production

Bernstein: Candide
Benjamin Bayl; TBC; Theater an der Wien; Ilona Revolskaya; Johannes Bamberger; Tatiana Kuryatnikova; Botond Ódor
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In Amsterdam, a Matrimonio segreto for the future

Il matrimonio segreto © Hans van den Bogaard
Young singers, musicians and designers in this Matrimonio segreto co-produced by the three main opera companies in the Netherlands show that, on the stage and in the pit at least, the future of opera is bright.
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No mercy for Ivo Van Hove’s Clemenza

La clemenza di Tito © National Opera of Poland
Strong musical performances, but Ivo Van Hove’s Powerpoint presentation of Clemenza at the Teatr Wielki is out of focus.
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Biber (mostly) without Bach: Georg Kallweit and Benjamin Bayl at the Nordland Music Festival

©  Nordlands Musikkfestuka
When naming a recital programme for two composers, say “Biber and Bach”, it is usually a good idea to actually include both composers on said recital programme. Sunday’s recital with Georg Kallweit and Benjamin Bayl of the Akademie für alte Musik Berlin apparently didn’t get the memo, and only played music by one of the announced composers: Heinrich Ignaz Franz Biber (1644–1704).
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Perspectivas audaces: Las bodas de Fígaro en Oviedo

Las bodas de Fígaro en la Ópera de Oviedo © Ópera de Oviedo
El teatro Campoamor acoge una versión ágil, creíble, y magníficamente ensamblada del clásico de Mozart.
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