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Barocktage opens with a murder: Scarlatti’s Il primo omicidio
Romeo Castellucci’s inspiring and spiritual production lands in Berlin, with a superb cast of Baroque specialists and the B’Rock Orchestra under the baton of René Jacobs.
Jacobs’ plausible pleading on behalf of Leonore
Promoting Leonore, the original version of Beethoven's Fidelio, René Jacobs made several choices of his own, only some of them justifiable.
Too many doors: Don Giovanni in Oslo
Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.

