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Performer: Boris Kudlička

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St PetersburgIolanta

Tchaikovsky: Eugene Onegin
Mariusz Treliński; Mariinsky Opera; Boris Kudlička; Magdalena Musiał; Marc Heinz; Mariinsky Theatre Orchestra

PragueTristan und IsoldeNew production

Wagner: Tristan und Isolde
Karl-Heinz Steffens; Keith Warner; Prague State Opera; Boris Kudlička; Kaspar Glarner; Magdalena Anna Hofmann; Heiko Börner

VilniusThe Miraculous Mandarin / Bluebeard’s Castle

© Martynas Aleksa
Krzysztof Pastor; Lithuanian National Opera and Ballet Theatre; Robertas Šervenikas; Csaba Káel; Boris Kudlička; Tatyana van Walsum
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BolognaEugene Onegin

Tchaikovsky: Eugene Onegin
Aziz Shokhakimov; Mariusz Treliński; Teatro Comunale di Bologna; Boris Kudlička; Joanna Klimas; Amanda Echalaz; Lena Belkina

New York CityIolanta / Duke Bluebeard's Castle (14th February 2015)

Tchaikovsky, Bartók
Valery Gergiev; Mariusz Treliński; Metropolitan Opera; Boris Kudlička; Marek Adamski; Anna Netrebko; Piotr Beczała
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“Esultate!” Kunde's Otello impresses at Covent Garden

Carlos Álvarez (Iago) and Gregory Kunde (Otello) © ROH | Catherine Ashmore
The American must be one of the few tenors to tackle both Rossini and Verdi's Moor with success. 
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Lolita in Prague: a bold foray into forbidden love

Pelageya Kurennaya (Lolita) © Patrik Borecký
The National Theater opens the season with Rodion Shchedrin's searing version of Lolita, with spectacularly disturbing results.
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Supernatural high jinks in Prague: The Love for Three Oranges

Marie Fajtová (Ninette) © Dasa Wharton
A colorful, light-hearted approach captures the spirit of Prokofiev's LʼAmour des trois oranges.
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Swedish première of Szymanowski’s King Roger in Stockholm

King Roger by the Royal Swedish Opera © Sören Vilks
Elin Rombo shines in a co-production of King Roger with the Royal Swedish Opera and Teatr Wielki, in Warsaw
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Off-the-mark Iolanta, but a terrifying Bluebeard at the Met

Angela Denoke (Judith) and Gerald Finley (Bluebeard) © Marty Sohl | Metropolitan Opera
Mariusz Treliński's double bill pairing returns to the Metropolitan Opera with fine performances from Sonya Yoncheva and Gerald Finley in the leads. 
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Occult, mystical, extreme: Prokofiev’s Fiery Angel in Aix

Aušrinė Stundytė (Renata) © Pascal Victor | artcompress
With a stunningly inventive and modern-sounding score, strong acting performances and a staging full of theatrical illusion and coherent in spite of general weirdness, Aix's Fiery Angel impresses.
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