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Performer: Cappella Amsterdam

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AmsterdamPolderklanken

© Melle Meivogel
Escher, De Leeuw, Schönberger, Wantenaar, Sztojanov
Daniel Reuss; Cappella Amsterdam; Lidy Blijdorp

AmsterdamGlass 90

© Melle Meivogel
Shaw, Lang, Glass
Cyrille Nanchen; Cappella Amsterdam; Lavinia Meijer; Feico Deutekom; Yifan Du

The HaguePhilip Glass 90: Grand Evening Concert

© Milagro Elstak
Shaw, Lang, Glass
Cyrille Nanchen; Cappella Amsterdam; Lavinia Meijer; Feico Deutekom; Unknown

BrugesCappella Amsterdam & Daniel Reuss

© Vincent Arbelet
de Lassus, Schnittke
Daniel Reuss; Cappella Amsterdam

AmsterdamSchnittke and Kalinnikov

© Melle Meivogel
Kalinnikov, Schnittke
Daniel Reuss; Cappella Amsterdam

AmsterdamMare Nostrum

© Melle Meivogel
Traditional, Darwish, Vardapet, Manla, Baker
Krista Audere; Cappella Amsterdam; Sinan Arat; Ezgi Elkırmış; Jawa Manla
Latest reviewsSee more...

Brazilian-flavoured Rite of Spring opens the Holland Festival

Evangelia Kranioti's film to accompany The Rite of Spring © Janiek Dam
Evangelia Kranioti's film reawakens the extraordinary extremity of Stravinksy's original ballet score in the Netherlands Radio Philharmonic's performance. 
****1
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Toxic masculinity in Orchestra of the 18th century's Don Giovanni

The Orchestra of the 18th Century proves the main asset of a rewarding Don Giovanni at the Amsterdam Concertgebouw. 
***11
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Airborne string players and choral wizardry in aus LICHT Part 3

In the final instalment of aus LICHT, the Helicopter String Quartet lives up to the publicity hype and choirs perform marvellous feats.
****1
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Progress thwarted: Stravinsky's Rake at the Elbphilharmonie

Despite some fine young voices, a concert staging of The Rake's Progress proves problematic in Hamburg.
***11
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Musically superlative Das Floß der Medusa at DNO

Ingo Metzmacher leads a musically formidable performance of Hans Werner Henze’s shipwreck oratorio. Romeo Castellucci’s staging engages the senses but remains emotionally distant.
****1
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Paula Murrihy a fantastic Sesto in Concertgebouw Clemenza

Kenneth Montgomery leads the Orchestra of the 18th Century and a fine team of young soloists in a swift, finely detailed interpretation of La clemenza di Tito.
****1
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