Performer: Catherine Backhouse

The ENB translates its digital films made during the pandemic into an evening of a live performance.

Editor Ben Willis almost convinced me that two grown men could fit inside grandfather clocks

There are no answers, nor indeed many probing questions, in this Scottish Opera revival of Sir David McVicar’s production from 2008, but it is sumptuous and enjoyable.

Two little-known 18th-century operas are given inventive new productions featuring some promising young singers.

At the Theatre Royal Stratford East, the student group made a convincing case for the French version of this gripping work.

Garsington’s first collaboration with the Royal Shakespeare Company married an abridgement of Shakespeare’s play with Mendelssohn’s incidental music, a union which promised much but which stumbled awkwardly.